荷尔拜因肖像画与曾鲸肖像画对比研究

发布时间：2018-01-08 07:29

本文关键词：荷尔拜因肖像画与曾鲸肖像画对比研究　出处：《中央民族大学》2016年硕士论文　论文类型：学位论文

【摘要】：本文对十六世纪欧洲的荷尔拜因和晚明曾鲸的肖像画进行比较。十六世纪的欧洲与明朝晚期有着相似的历史背景,即由资本主义萌芽的发展与商品经济繁荣而引起的市民阶级的崛起和发展,这一社会现象引起了反封建主义束缚的资产阶级思想,从而使民众开始关注自我及肯定自我,对自我精神的需求不断扩大,并尝试通过一些手段去表达自我认同的想法,其中比较重要的一种手段就是肖像画艺术,自此肖像画艺术开始繁荣和变化。本文主要从造型的角度把荷尔拜因和曾鲸肖像画的线条、用色等方面进行了比较,探究二者肖像画的表现手法和差异,以便能对其有益因素加以吸收和运用。希望通过这样的对比研究进一步领会晚明时期曾鲸的肖像画作品,并结合对荷尔拜因写实性肖像画的认识,使之能给予当代工笔写实肖像画一定的参考,让自己在创作中能正确把握东方和西方、传统与创新的尺度。
[Abstract]:This paper compares the portraits of Holbain in Europe in 16th century with those of Zeng whales in the late Ming Dynasty. Europe in 16th century has a similar historical background to that of the late Ming Dynasty. That is, the rise and development of the citizen class caused by the budding development of capitalism and the prosperity of commodity economy, this social phenomenon has caused the bourgeois ideology against the bondage of feudalism. In order to make people begin to pay attention to themselves and affirm themselves, the demand for self-spirit is expanding, and try to express the idea of self-identity through some means, one of the more important means is portrait art. Since then the art of portrait painting began to flourish and change. This paper mainly from the perspective of modeling Holbein and Zeng whale portrait lines, color and other aspects of comparison, explore the performance of the two portrait techniques and differences. In order to absorb and apply the beneficial factors, I hope to further understand the portrait works of Zeng whale in the late Ming Dynasty through such comparative study, and combine with the understanding of Holbain realistic portrait painting. So that it can give some reference to contemporary realistic portrait painting, so that they can correctly grasp the criteria of oriental and western, tradition and innovation in their creation.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J205

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