中国现当代印象主义绘画意味之油画研究

发布时间：2018-01-08 20:07

本文关键词：中国现当代印象主义绘画意味之油画研究　出处：《西南交通大学》2015年硕士论文　论文类型：学位论文

【摘要】：印象主义的产生对于法国油画界乃至世界油画史来说都是具有举足轻重的地位,它发端于十九世纪七十年代的法国。世界上很多著名艺术家都受到了印象主义风格的影响,印象派画家在不断的创作中逐渐分为两个流派,注重色彩的以莫奈为首,称为光色派；德加一派的既有光色变化的印象主义特征,也延续了古典主义绘画较严谨的造型特征；两派都没有拘泥于造型的束缚,而都是有节制的放松了物象的外在形态,进入到了画面整体的构成与气韵中。中国油画界对于印象派的学习是在20世纪初,随着留学欧洲与日本的学子归来,他们带回了西方绘画的不同观念与技法,其中就有印象主义画风,而在中国学习印象主义画风的历程中,也是延续了两种流派的表现风貌,通过几十年的演进,逐渐具有了中国画家特有的印象主义绘画意味,这种意味虽然还没有形成什么群体的统一面貌,都是以画家个体的面貌自我完善的,但在每一个个体画家表现中,却共同拥有一种东方文化的气韵、审美和境界,以物寄情,以物寓意,中国画家不仅仅停留在所画的物象本身,而是借物抒情,这种源自于内心的美好追求与期盼,就成为中国艺术家的宏观的群体面貌,也自然具有了一定的本土印象主义绘画意味。颜文梁,卫天霖,孙为民,洪凌、龙力游、刘孔喜等等已经成为最具实力和影响力的画家,他们都是在吸收了印象主义绘画的有益因素的前提下,不断借鉴其他艺术流派的观念与技法,并通过本土文化的滋养与画家自身的溶化逐渐形成了他们各自鲜明的艺术面貌与个性特征。本文通过对中国现当代印象主义绘画风格表现形式的深入探究,从中国现当代印象主义绘画风格的构图方式、线条用笔及色彩形式要素上分析解剖,抓住中国现当代印象主义绘画风格类型中最具特色的表现特征,总结分析出中国现当代印象主义绘画风格的审美特点,将传统印象主义绘画风格与中国现当代印象主义绘画风格的表现形式进行对比与分析,对于如何在当代艺术发展的趋势中弘扬本土民族艺术,尤其是对于建立我们国家本土特色的色彩基础教育体系,是具有积极促进作用的倡导民族艺术传承在当今社会的重要性。
[Abstract]:The emergence of Impressionism plays an important role in the field of French oil painting and even in the history of oil painting in the world. It originated in France in 1870s. Many famous artists in the world were influenced by the impressionist style. Impressionist painters were gradually divided into two schools in their continuous creation. Monet, who pays attention to the color, is called the light color school; The characteristics of both the light and color changes of the Dega School of Impressionism, but also the continuation of the more rigorous modeling characteristics of classical painting; Both schools are not bound to the constraints of the modeling, but are controlled to relax the external form of the image, into the overall picture of the composition and charm. Chinese oil painting for the Impressionist study in early 20th century. With the return of students studying in Europe and Japan, they brought back different ideas and techniques of Western painting, among which there was an impressionist style of painting, and in the course of studying impressionistic painting style in China. It is also a continuation of the performance of the two schools of style, through decades of evolution, gradually with the Chinese painters unique Impressionist painting, although this meaning has not formed a unified face of what groups. All are self-improvement in the face of individual painters, but in the performance of each individual painter, there is a common spirit of Oriental culture, aesthetic and realm, to send feelings to things, with the meaning of things. Chinese painters not only stay in the picture itself, but use things to express their feelings. This kind of beautiful pursuit and expectation from the heart has become the macro group appearance of Chinese artists. Yan Wenliang, Wei Tianlin, Sun Weimin, Hong Ling, long Liyou, Liu Kongxi and others have become the most powerful and influential painters. Under the premise of absorbing the beneficial factors of Impressionist painting, they constantly learn from the ideas and techniques of other art schools. And through the nourishment of local culture and the melting of the painters themselves gradually formed their own distinct artistic features and personality characteristics. This article through the contemporary Chinese impressionist painting style of expression of in-depth exploration. From the Chinese modern and contemporary impressionism painting style composition way, the line pen and the color form element analysis anatomy, grasps the Chinese present and contemporary impressionism painting style style type most characteristic performance characteristic. Summarize and analyze the aesthetic characteristics of Chinese modern and contemporary impressionism painting style, compare and analyze the traditional impressionism painting style and the Chinese contemporary impressionism painting style expression form. For how to carry forward the local national art in the trend of contemporary art development, especially for the establishment of our national color basic education system with local characteristics. It is the importance of promoting the inheritance of national art in today's society.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J213

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