宋代文人花鸟画的艺术意蕴研究

发布时间：2018-01-25 03:01

本文关键词： 宋代文人花鸟画艺术意蕴　出处：《江西科技师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：在中国画长期的发展过程中，花鸟画的艺术美感随着文学、艺术修养的提升而不断被发现、提升的。宋代是文人花鸟画的发端，也是文人花鸟画的一个高峰。宋代诗词美学、理学思想对当时的文人花鸟画带来了很大的影响，造成审美趣味的变化，自然也改变了人们的审美观念。在理学的影响下，宋代文人花鸟画的审美意蕴耐人寻味，对后世花鸟画的发展有着深远影响。因此，把“宋代文人花鸟画的审美意蕴”作为专题进行研究，对现当代花鸟画的发展繁荣具有十分重要的意义。试图从社会学的角度对宋代文人花鸟画进行阐释，从文化的角度深入发掘宋代文人花鸟画的历史价值和人文价值。本文共分为五部分。第一章从艺术发展的长河中对宋代文人花鸟画进行了概述。具体阐释了宋代文人花鸟画的界定，并叙述了宋代文人花鸟画的发展流变，为接下来的论述打下基础。第二章分析宋代文人花鸟画艺术意蕴的主要来源。宋代文人花鸟画的审美意蕴主要源于诗词美学与理学。宋代诗词获得了快速发展，主要从北宋前期诗词的浓丽与清新、北宋后期诗词的工巧与豪放、南宋时期诗词的悲壮与委婉三个方面分析宋代诗词与文人花鸟画的关系。宋代，程朱理学成为思想主流，文人受其影响较深，自然的融入到花鸟画创作中，主要从宋初理学的穷理精神、宋后期理学的理气意识两个方面进行分析，探讨宋代文人花鸟画独特的审美意蕴的来源。第三章阐释宋代文人花鸟画的艺术意蕴。此章节是全文的重点，主要从禅宗思想与“意”象之美、空灵简淡的气韵之美、士大夫文化与格物之美三个方面探讨宋代文人花鸟画审美意蕴的体现，并例举著名的文人花鸟画家及其作品来例证。第四章探讨研究宋代文人花鸟画的艺术意蕴对现当代花鸟画创作的启示。宋代文人花鸟画对后世影响深远，本章节先从宋代文明花鸟画对元、明、清、民国、现当代的影响入手，分析现当代花鸟画现状，在此基础上探讨研究宋代文化花鸟画的审美意蕴对现当代花鸟画的启示。第五章研究宋代文人花鸟画除了要了解其艺术意蕴外，，更重要的是从中吸取、借鉴，为现当代花鸟画所用，从而推动现当代花鸟画的创新、发展。
[Abstract]:In the long development process of Chinese painting, the artistic aesthetic sense of flower and bird painting is constantly found and promoted with the improvement of literature and artistic accomplishment. The Song Dynasty is the beginning of the flower and bird painting of literati. Song Dynasty poetry aesthetics, Neo-Confucianism thought of the literati flowers and birds painting at that time brought a great impact, resulting in the change of aesthetic taste. Nature also changed people's aesthetic concept. Under the influence of Neo-Confucianism, the aesthetic implication of the Song Dynasty literati flower and bird painting is thought-provoking, and has a profound influence on the development of the later generation flower and bird painting. It is of great significance for the development and prosperity of modern and contemporary flower and bird painting to study "the aesthetic implication of the flower and bird painting of the literati in the Song Dynasty". This paper tries to explain the flower and bird painting of the Song Dynasty from the angle of sociology. This article is divided into five parts, from the angle of culture, to explore the historical value and humanistic value of the flower and bird paintings of the literati in the Song Dynasty. The first chapter summarizes the flower and bird paintings of the literati in the Song Dynasty from the long river of the art development, explains the definition of the flowers and birds paintings of the literati in the Song Dynasty, and narrates the development and evolution of the flowers and birds paintings of the literati in the Song Dynasty. Lay the foundation for the following discussion. The second chapter analyzes the main sources of the artistic implication of the Song Dynasty literati flower and bird painting. The aesthetic implication of the Song Dynasty literati flower and bird painting mainly comes from poetry aesthetics and Neo-Confucianism. The Song Dynasty poetry has gained rapid development. Mainly from the early Northern Song Dynasty poetry rich and fresh, the Northern Song Dynasty poetry technology and bold and bold, the Southern Song Dynasty poetry and euphemism of the three aspects of the Song Dynasty poetry and the relationship between flowers and birds painting. Song Dynasty. Cheng and Zhu Neo-Confucianism became the mainstream of thought, the literati were deeply influenced by it, the natural integration into the flower and bird painting creation, mainly from the Song Dynasty Neo-Confucianism spirit, the late Song Dynasty Neo-Confucianism Qi consciousness two aspects of analysis. This paper probes into the source of the unique aesthetic implication of the literati's flower and bird paintings in the Song Dynasty. The third chapter explains the artistic meaning of the Song Dynasty literati flower and bird painting. This chapter is the focus of the full text, mainly from the Zen thought and the "meaning" of the image beauty, the beauty of the empty simple charm. This paper probes into the embodiment of the aesthetic implication of the flower and bird paintings of the literati in Song Dynasty from three aspects: the culture of the literati and the beauty of the objects, and gives examples of the famous literati flower and bird painters and their works. Chapter 4th probes into the enlightenment of the artistic implication of the flower and bird paintings of the literati of the Song Dynasty to the creation of the modern and contemporary flowers and birds paintings. The flower and bird paintings of the literati of the Song Dynasty have a profound influence on the later generations. This chapter begins with the Song Dynasty's civilized flower and bird paintings against the Yuan, Ming, Qing and Republic of China. On the basis of analyzing the present situation of flower and bird painting in modern and contemporary times, this paper probes into the enlightenment of the aesthetic implication of flower and bird painting in Song Dynasty on modern and contemporary flower and bird painting. The 5th chapter studies the literary flower and bird painting of the Song Dynasty, besides understanding its artistic meaning, it is more important to learn from it and draw lessons from it, so as to promote the innovation and development of the modern and contemporary flower and bird painting.
【学位授予单位】：江西科技师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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