行程中的构建与转变——张俊的太行山水画探索

发布时间：2018-01-25 06:40

本文关键词： 河北邯郸语言风格积墨法通学语言方式写意性乡土现实主义斧劈皴中国美术馆中国美协会员 　出处：《美术》2017年03期 　论文类型：期刊论文

【摘要】：正20世纪六七十年代,张俊在河北邯郸工作,其间曾跟随从北京下放到磁县进行劳动改造的一些画家学习绘画。在特定年代,张俊通学勤画,速写、素描、油画、版画、国画、插图、连环画、雕塑等样样都来,用他的话说,那时自己就是一位"杂学家"。不可否认,这为他奠定了十分受用的创作基础。70年代末,新时代到来,张俊最终将山水画的研究与创作作为了自己以后的志业。北方的太行山,是生养张俊的地方,张俊的创作题材自然多取自这里,语言风格由这里发端,绘画精神也由这里生成。被张
[Abstract]:In 20th century, Zhang Jun worked in Handan, Hebei Province, during which he studied painting with some painters who had been transferred from Beijing to Cixian County for labor reform. In a specific age, Zhang Juntong learned to draw, sketch, and sketch. Oil paintings, prints, Chinese paintings, illustrations, comic books, sculptures, and so on all come, in his words, at that time he was a "miscellaneous scientist." there is no denying. This laid a very useful foundation for his creation. At the end of the 70s, a new era came, and Zhang Jun finally took the research and creation of landscape painting as his future chronology. The Taihang Mountain in the north was the place where Zhang Jun was born and raised. Zhang Jun's creation theme naturally comes from here, the language style starts from here, the painting spirit is also generated from here. By Zhang
【作者单位】：中国艺术研究院研究生院;
【分类号】：J212
【正文快照】： 20世纪六七十年代,张俊在河北邯郸工作,其间曾跟随从北京下放到磁县进行劳动改造的一些画家学习绘画。在特定年代,张俊通学勤画,速写、素描、油画、版画、国画、插图、连环画、雕塑等样样都来,用他的话说,那时自己就是一位“杂学家”:不可否认,这为他奠定丫十分受用的创作基础

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