论中国水墨人物画造型的演变

发布时间：2018-01-27 05:57

本文关键词： 中国水墨人物画传统意象造型西方写实造型多元化风格　出处：《曲阜师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：纵观数千年的中国绘画史，中国水墨人物画是极其具有代表性的一个分支，已形成了独特的审美观和造型观。因为造型是水墨人物画的根基和精髓，对于它的认识和研究艺术家们一直在做不断的尝试和努力。从水墨人物画的发展历程看，随着时代的变革和文化的多元化融合其造型的变化有异样的光彩，水墨人物画造型的演变不仅是一种历史的进步，它本身也具有独立的研究价值和审美意义。中国传统水墨人物画受古典哲学和美学的影响，在审美理想上追求心与物的和谐统一，艺术家受这些思想的影响在创作中也寻求一种客观形象和主观情感的和谐，这种“意境论”的艺术思维决定着传统水墨人物画是意象的造型方式。20世纪初至80年代后期，，伴随着社会变革和新时代的到来，西方写实造型对水墨人物画的审美形式和造型方式造成了强烈的冲击，从开始注重向西方学习到西方绘画的写实造型艺术与中国传统笔墨技法相融合等阶段进行了系统的梳理和分析，试探析了写实水墨人物画形成和发展的过程以及代表画家对写实造型体系所做的回应和贡献。90年代之后，随着改革开放的深入，社会生活发生了巨大的变化，那种局限于现实的理想主义目标的禁欲式生活观念也被彻底改变了，艺术家们在创作上更加大胆自由，企图用全新的造型语言诠释都市生活里人们的生存状态和对和谐生活的向往，在绘画形式上对自我精神的关注更为强烈，出现了各式各样的艺术面貌，逐渐走向多元化的道路。本文以水墨人物画的历史发展时间为线索，论述了水墨人物画在不同阶段其造型方式的特点及发生变化的背景与缘由，分析了造型发展的内在规律和历史必然性，揭示了艺术家们在传统和现当代水墨人物画造型的融合方面做出的努力。为未来水墨人物画的发展提供了理论基础和支撑条件，在一定程度上推动了水墨人物画的进程。
[Abstract]:Throughout the history of thousands of years of Chinese painting, Chinese ink figure painting is an extremely representative branch, has formed a unique aesthetic and modeling view, because modeling is the foundation and essence of ink figure painting. For its understanding and research artists have been making constant attempts and efforts. From the development of ink figure painting, with the era of change and cultural diversity fusion of its shape has a unique luster. The evolution of ink figure painting is not only a kind of historical progress, but also has its own independent research value and aesthetic significance. Influenced by classical philosophy and aesthetics, Chinese traditional ink figure painting pursues the harmonious unity of heart and object in aesthetic ideal. Influenced by these thoughts, artists also seek a kind of harmony between objective image and subjective emotion in their creation. The artistic thinking of this "artistic conception theory" determines that traditional ink figure painting is the modeling method of image. From the beginning of the 20th century to the late 80s, it is accompanied by the social change and the arrival of the new era. Western realistic modeling has caused a strong impact on the aesthetic form and style of ink figure painting. From the beginning of the focus on learning from the West to Western painting realistic plastic arts and Chinese traditional brushwork techniques and other stages of the integration of a systematic combing and analysis. This paper tries to analyze the formation and development process of realistic ink figure painting and the response and contribution made by the painters to the realistic modeling system after the 1990s, with the deepening of reform and opening up. Great changes have taken place in social life, and the abstinence concept of life, which is confined to the idealistic goal of reality, has been completely changed, and artists have been more bold and free in their creation. Trying to use a new modeling language to interpret the city life of people's living state and yearning for a harmonious life, in the form of painting to pay more attention to the self-spirit, there are a variety of art appearance. Gradually to the road of diversification. This article takes the historical development time of the ink figure painting as the clue, discusses the characteristics of its modeling mode and the background and reason of its change in different stages. The inherent law and historical inevitability of the development of modeling are analyzed. It reveals the efforts of artists in the integration of traditional and contemporary ink figure painting modeling, and provides a theoretical basis and supporting conditions for the future development of ink figure painting. To some extent, promote the process of ink figure painting.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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