写生与江宏伟工笔花鸟画风格的形成

发布时间：2018-01-27 07:08

本文关键词： 江宏伟写生工笔花鸟画风格成因　出处：《安徽大学》2014年硕士论文　论文类型：学位论文

【摘要】：无论是在中国还是西方的绘画艺术中,写生都是重要的绘画实践环节之一,也是艺术家进行创作的基础。“师造化”是中国古人对写生心得体会的描述；在西方绘画史中,艺术家为了能够真实客观表现对象,借鉴了透视学、解剖学、光学相关学科知识从而最大限度在画面当中描绘艺术家内心的创作想法,这是西方绘画中对写生一般意义的理解。工笔花鸟画自唐代独立分科以后,在经历了宋代的兴盛和元明清的衰落之后,近年来,在当代多元文化的背景下,再次受到人们的重视,呈现出百花齐放的态势。在这种大环境中,江宏伟工笔花鸟画从写生入手,在写生中逐步探索传统,发现自然的美和感受自然的真；在描摹自然的过程中,对物象进行观察和取舍；在创作的过程中,将自然之美凝固在画面上,他的作品对当今工笔花鸟画的发展有极大的贡献,值得我们探讨和研究。虽然当今的绘画创作中风格多种多样,形式多姿多彩,但是,有的过于注重外在形式效果,丢掉了中国画的内涵,有的过于摹古仿旧,失去了自己的个性化语言。江宏伟作为当代工笔花鸟画的重要代表之一,画面呈现出成熟的个人面貌,对江宏伟的研究虽时有见之于相关刊物,但多是一些访谈和作品分析介绍,对其工笔花鸟画写生与其风格之间形成关系的重要性研究几乎没有。通过研究认为江宏伟工笔花鸟画的风格成因与其写生是密不可分的,本文通过对江宏伟工笔花鸟画写生技法、特点及写生理念进行解析,并结合自己的绘画经历和学习经验,对其工笔花鸟画风格成因与风格特点进行探索与研究,试图分析江宏伟工笔花鸟画写生与其风格成因的关联。
[Abstract]:In both Chinese and Western painting art, sketching is one of the most important links in painting practice, and is also the basis for artists to create. In the history of Western painting, the artist in order to be able to be true and objective objects, learn from perspective, anatomy, optics related disciplines to maximize the painting of the artist's inner creative ideas. This is the general meaning of sketching in Western painting. The fine brushwork flower-and-bird painting has experienced the prosperity of the Song Dynasty and the decline of the Yuan, Ming and Qing dynasties since the independent division of the Tang Dynasty. In recent years, under the background of contemporary multiculturalism, it has once again been taken seriously by people. In this kind of environment, Jiang Hongwei's meticulous flower-and-bird painting begins with sketching, and gradually explores the tradition in the painting, and finds the beauty of nature and the feeling of nature's truth. In the process of describing nature, observe and choose the object image; In the process of creation, the beauty of nature is solidified on the screen. His works have a great contribution to the development of modern meticulous flower-and-bird painting, which is worthy of our discussion and study. Although there are a variety of styles and various forms in today's painting, some people pay too much attention to the external form effect and lose the connotation of Chinese painting, and some copy the ancient style too much. Jiang Hongwei as one of the important representatives of contemporary meticulous flower-and-bird painting, the picture presents a mature personal face, although the study of Jiang Hongwei has been seen in relevant publications from time to time. But most of them are interviews and works analysis. There is almost no research on the importance of forming the relationship between the painting of flower-and-bird painting and its style. Through the study, it is considered that the origin of the style of the meticulous flower-and-bird painting is closely related to its sketching. Through the analysis of the painting techniques, characteristics and sketching concepts of Jiangwei meticulous flower-and-bird painting, combined with their own painting experience and learning experience, this paper explores and studies the origin and style characteristics of its fine brushwork flower-and-bird painting style. This paper tries to analyze the relationship between the painting of flower-and-bird painting and its style.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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