论敦煌壁画中唐代绘画与中原绘画特征的关系

发布时间：2018-01-29 02:25

本文关键词： 敦煌壁画中原绘画特征关系的研究　出处：《南昌大学》2013年硕士论文　论文类型：学位论文

【摘要】：敦煌艺术具有十分丰厚的文化意义和历史价值,它包含着宗教学、文化学、艺术学、文献学和考古学,具有着无与伦比的美学意义和创新精神。其中敦煌壁画是敦煌艺术最主要的组成部分,属于综合性的绘画艺术,也是研究中国早期绘画史最重要的第一手实物资料。本文将通过对佛教的影响下,西域外来的绘画风格与中原传统绘画风格在线描的表现技法、色彩的形式语言和造型特征的研究来展现唐代敦煌壁画与中原绘画相互影响与促进的关系。重点分析唐代敦煌壁画的艺术价值,以及在多元文化的撞击下,西域绘画与中原绘画在艺术美学上的交流、融合、吸收等,这对中国美术的发展史有着不可低估的启示作用。虽然敦煌壁画经历了一千六百余年的历史,遭受过自然的侵蚀而产生脱落和变化,它还曾遭受过人为的破坏,但是这种种的原因依然不能阻挡它独特的艺术美学价值,时代所赋予它的历史美、沧桑美,反而更展现了敦煌艺术的绚丽光彩。
[Abstract]:Dunhuang art has a very rich cultural significance and historical value, it contains religious, cultural, art, philology and archaeology. With unparalleled aesthetic significance and innovative spirit, Dunhuang murals are the most important part of Dunhuang art and belong to comprehensive painting art. It is also the most important first-hand material for studying the history of early Chinese painting. Under the influence of Buddhism, this article will show the techniques of foreign painting style and traditional painting style of Central Plains in line drawing. To show the relationship between Dunhuang frescoes and Central Plains paintings in Tang Dynasty by studying the formal language and modeling characteristics of color. The emphasis is on analyzing the artistic value of Dunhuang murals in Tang Dynasty and under the impact of multiculturalism. The exchange, integration and absorption of Western painting and Central Plains painting in art aesthetics can not be underestimated for the history of the development of Chinese art, although Dunhuang murals have experienced more than 1,600 years of history. It has suffered from natural erosion and shed and changed, it has also suffered man-made damage, but these reasons still can not stop its unique artistic aesthetic value, the times endowed it with the historical beauty, vicissitudes of life beauty. On the contrary, it shows the splendid luster of Dunhuang art.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.6

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