梵高绘画美学思想研究

发布时间：2018-01-29 06:24

本文关键词： 梵高绘画美学思想艺术定义客观现实内在精神　出处：《浙江大学》2014年硕士论文　论文类型：学位论文

【摘要】：梵高,作为绘画史上举足轻重的大师,曾被喻为“十九世纪两个天才艺术家”中的一位。他穷尽一生追求绘画艺术,发展出了一套自己的绘画美学思想理论,对二十世纪画坛影响巨大。梵高一生致力于绘画探索,受荷兰画派、印象主义画派以及日本浮世绘的影响,他在题材、色彩、线条等方面都有进一步的革新,形成了独具一格的绘画风格。夏皮罗在《论凡高的一幅画》(On A Painting of Van Gogh)中提到“他的书信包含着关于绘画问题的令人惊叹的、富有启发性的论述；人们可以从他的书信那些零碎的论述中构建一种完整的美学理论”。因此,本文立足于梵高的书信中译本传记——《亲爱的提奥》,以梵高研究的阶段为线索,探索其对艺术定义的界定、对艺术与现实的思考、在表现客观现实与表达内在精神的统一中的摸索。力求还原一个真实的艺术家梵高。
[Abstract]:Van Gogh, as an important master in the history of painting, was once described as one of the "two talented artists" in 19th century. He devoted his whole life to the pursuit of painting art and developed a set of his own aesthetic theory of painting. In 20th century, the impact on the painting world was enormous. Van Gogh devoted his life to the exploration of painting, influenced by Dutch painting, impressionism and Japanese picturesque, he had further innovation in subject matter, color, line and so on. Formed a unique style of painting. Shapiro in on A Painting of Van Gogh. His letters contain amazing questions about painting. An enlightening exposition; One can construct a complete aesthetic theory from his piecemeal argumentation. Therefore, this thesis is based on Van Gogh's biography of the Chinese translation of the letter, Dear Theo, and takes Van Gogh's research stage as a clue. This paper explores its definition of art, its reflection on art and reality, and its exploration in the unity of expressing objective reality and expressing the inner spirit, in order to restore a true artist Van Gogh.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J201

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