台湾当代重彩画发展现状

发布时间：2018-02-02 05:29

本文关键词： 台湾重彩画地方色彩材料传统创新　出处：《山东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：自石器时代开始,当人们有意识的将纹理印刻于器物上之时,人类对于“美”的追求便再未止息。绘画从最初的实用性功能逐步演变为一门独立的艺术形式,这一实质性的跨越显示出人们审美意识的不断提高与无限的创造力。中国绘画艺术历史悠久,源远流长,经历了数千年的不断丰富、创新与发展,形成了独立的绘画语言体系,在世界艺术之林占据着重要的地位。从最初的彩陶纹饰、岩画、青铜器纹样以及各种帛画,到后来壁画、绢画以及纸本绘画,中国绘画无论是在绘画形式还是绘画载体上都呈现出百花齐放的样态。而当世界开始慢慢连成一个整体,东西文化逐渐融合之后,中国绘画也借此契机展现出全新的面貌。台湾地区在艺术发展上与大陆同根同源,但由于历史发展的原因造成其呈现出现有的独特性,本文即抓住台湾重彩画发展的脉络对这段历史进行一定的梳理,进而对台湾重彩画现状进行阐述,在此之中穿插本人在台交流期间对于台湾重彩画发展现状的切身感受。本文共分为五个部分:前言部分,主要叙述我国绘画历史的源远流长以及本文选题的原因。第一章,台湾地区重彩画的产生以及正式确立的过程,强调台湾重彩画与大陆绘画艺术同根同源的关联性以及台湾重彩画在其历史发展过程中的特殊性。第二章,具体论述大陆以及日本对台湾重彩画发展的影响,介绍台湾当代重彩画的发展脉络及其代表人物,阐述台湾重彩画绘画风格中“地方色彩”这一特点。第三章,从材料技法、绘画观念以及审美趣味三个层面出发,对重彩画未来的发展趋势进行展望。结语部分,对于中国重彩画艺术发展的传统性与创新性进行客观衡量,提出中国当代重彩画家所背负的责任与使命。
[Abstract]:Since the Stone Age, when people consciously imprint the texture on the objects, the human pursuit of "beauty" will no longer stop. Painting from the original practical function gradually evolved into an independent art form. This substantive leap shows the continuous improvement of people's aesthetic consciousness and unlimited creativity. Chinese painting art has a long history and has experienced thousands of years of continuous enrichment innovation and development. Formed an independent painting language system, in the world of art occupies an important position, from the initial painted pottery ornaments, rock paintings, bronze patterns and various silk paintings, to later murals, silk paintings and paper painting. Chinese painting, whether in the form of painting or on the painting carrier, all show the appearance of a hundred flowers blooming. But when the world began to gradually join into a whole, after the gradual integration of the East and West cultures. Chinese painting also takes this opportunity to show a new face. Taiwan has the same roots as the mainland in the development of art, but due to the reasons of historical development, it presents some unique features. This paper grasps the development of heavy color painting in Taiwan to sort out this section of history, and then expounds the current situation of heavy color painting in Taiwan. In this way, I interspersed my personal feelings about the development of heavy color paintings in Taiwan during the exchange period. This paper is divided into five parts: foreword. The main description of the history of painting in China and the reasons for this topic. Chapter 1, the emergence of the Taiwan area and the formal establishment of the process. Emphasized the Taiwan heavy color painting and the mainland painting art homologous correlation as well as Taiwan heavy color painting in its historical development process particularity. The second chapter discusses the influence of the mainland and Japan on the Taiwan heavy color painting development. This paper introduces the development of the contemporary heavy color painting in Taiwan and its representative characters, and expounds the characteristics of "local color" in the painting style of Taiwan heavy color painting. Chapter three, from the material technique. Painting concept and aesthetic taste three levels, the development trend of heavy color painting in the future is prospected. Conclusion, the traditional and innovative of the development of Chinese heavy color painting art are objectively measured. Put forward the responsibility and mission of Chinese contemporary heavy color painters.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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