“山水”的超越性与现代社会的精神危机

发布时间：2018-02-10 12:31

本文关键词： 现代精神人类欲望中国人精神精神危机正折射寄情山水现代性进程人与自然以形媚道中国文化传统 　出处：《文化纵横》2017年02期 　论文类型：期刊论文

【摘要】：寄情山水"以形媚道",是传统中国人实现"天人合一"之境的精神进路,这种万物与我唯一的认知取向也是支撑中国人精神世界的核心价值。然而如同本栏目的两篇文章所述,源自西方的现代精神结构,割裂、消解了这种人与自然的合一关系,于是中国人也不可避免地陷入现代性带来的价值虚无与精神焦虑之中。现代艺术表现的扭曲与紧张正折射了这样的一种社会病症。"山水社会"正是一种艺术实验,试图在现代社会重新发掘"山水"内涵,以反思、超越空虚颓靡的现代生活。但必须警醒的是,这种艺术实践需要找回的是一种人与自然的本真关系,而非将"山水"雕刻为满足人类欲望的精致摆设。
[Abstract]:"in the form of beauty" is the spiritual way for the traditional Chinese to realize the "unity of nature and man". This kind of all things and my only cognitive orientation is also the core value that supports the spiritual world of the Chinese. However, as stated in the two articles in this column, The modern spiritual structure, which originated in the West, has disintegrated this unity between man and nature. Therefore, the Chinese inevitably fall into the void of value and spiritual anxiety brought about by modernity. The distortion and tension of modern art is a reflection of such a social disease. "the landscape society" is a kind of artistic experiment. This paper attempts to rediscover the connotation of "landscape" in modern society in order to reflect and transcend the emptiness and decay of modern life. However, what we must be aware of is that what this kind of artistic practice needs to find is a kind of true relationship between man and nature. Instead of carving the landscape as a delicate arrangement to satisfy human desires.
【作者单位】：复旦大学哲学学院;
【分类号】：J212

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