论阴阳哲学与太极思维在视觉语言中的体现

发布时间：2018-02-10 16:14

本文关键词： 中国画极少主义空白阴阳太极　出处：《大连工业大学》2013年硕士论文　论文类型：学位论文

【摘要】：本文将对视觉语言符号元素进行探讨研究,符号研究和语义分析已经成为当代设计领域的热点,但对于视觉语言的元素化问题还鲜有重视。艺术符号是视觉语言传达给受众过程中直接准确的传达媒介,在沟通人类思维与文化、信息方面起到重要的作用。由此可见,符号元素在视觉语言的表现中的关注程度越来越高。例如,太极图是容量极大的意象图,它由黑白两个鱼形纹组合而成,俗称阴阳鱼,意象造型的美学法则深藏在这两鱼追逐之中,它完美地、形象化地表达了阴阳轮转,相反相成是万物生成变化根源的哲理。太极图的设计成功地运用了图底反转,对比强烈却又融汇合一。太极图的简洁是对人们求简心理的完美阐释。视觉语言的表现能激发受众的想象和情感,建立起艺术与大众沟通的桥梁。图形是平面设计的重要元素,不仅在人们的视觉接触上最为频繁和熟悉,而且在视觉传达的形式上也最为丰富多彩。在传统图形语言的哲学观念里,中国传统图形中的疏密、动静、虚实、黑白等辩证关系即是阴阳五行思想在构图中的应用。在传统图形中,最具代表性是“太极图”,其形式和理念常常为设计师们所借鉴,在体现强烈的。本文从易学史角度考察中国古代哲学中阴阳矛盾学说的演进,而阴阳矛盾学说的形成和发展,很大程度上又是和周易理念、周易思维智慧的,所以,“化”存乎“通”,“变”则是化的结果,用朴素的语言表达出事物质变与量变间的关系。中国哲学揭示了太和之道(太极)虽没有表现出形态上的阴阳分合和运动变化,但基于如何将阴阳文化可以应用于艺术中去,本文以留白的特殊形式表现阴阳文化,包括霍去病墓石刻和日本光教堂。所以这种阴阳文化日趋国际化。希望通过对过去的研究,可以给与世界当代艺术以启示。中国的阴阳哲学和太极思维是一种科学性极强的世界观和方法论,它用阴阳对立的两个方面来说明并解释了自然界和人类社会发生发展的一切现象
[Abstract]:In this paper, the visual language symbol elements will be discussed, symbol research and semantic analysis has become a hot spot in the field of contemporary design. However, little attention has been paid to the issue of the element of visual language. Artistic symbols are the direct and accurate media of communication between visual language and the audience, and play an important role in communicating human thinking, culture and information. Symbol elements are gaining more and more attention in the expression of visual language. Taiji, for example, is an image of great capacity. It is a combination of black and white fish-shaped lines, commonly known as yin and yang fish. The aesthetic law of image modeling is deeply hidden in the pursuit of these two fish. It perfectly and vividly expresses the rotation of yin and yang, on the contrary, complementary is the philosophical principle that causes all things to change. The simplicity of Taiji diagram is the perfect explanation of people's psychology of seeking simplicity. The expression of visual language can stimulate the imagination and emotion of the audience and build a bridge between art and the public. Graphics is an important element of graphic design, which is not only the most frequent and familiar in people's visual contact. Moreover, the form of visual communication is also the most colorful. In the philosophical concept of traditional graphic language, the density, movement, and reality of Chinese traditional graphics, The dialectical relationship between black and white is the application of the thought of Yin Yang and five elements in composition. In the traditional graphics, the most representative is "Taiji drawing", whose form and idea are often used for reference by designers and strongly embodied. This paper examines the evolution of the theory of yin-yang contradiction in ancient Chinese philosophy from the perspective of the history of the Book of changes. To a great extent, the formation and development of the theory of Yin-Yang contradiction is based on the idea of the Book of changes and the wisdom of Zhou Yi's thinking. Therefore, "transformation" exists in "communication" and "change" is the result of transformation. The relationship between qualitative change and quantitative change is expressed in plain language. Chinese philosophy reveals that the way of Taihe (Taiji) does not show the combination of yin and yang in form and the change of movement. However, based on how to apply the Yin and Yang culture to art, this paper presents the Yin and Yang culture in the special form of white space, including Huo Qiang's tomb stone carvings and the Japanese Guang Chapel, so this kind of Yin and Yang culture is becoming more and more international. It is hoped that through the study of the past, we can give enlightenment to contemporary art in the world. The Chinese philosophy of yin and yang and the thinking of Taiji are a very scientific world outlook and methodology. It explains and explains all the phenomena that occur and develop in nature and human society by using the two opposite aspects of Yin and Yang.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212;B227

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