新中国“十七年”时期水墨人物画笔墨图式研究

发布时间：2018-02-10 21:39

本文关键词： 十七年水墨人物画写实笔墨图式　出处：《广州大学》2013年硕士论文　论文类型：学位论文

【摘要】：新中国“十七年”时期是20世纪中国画演进的重要一个阶段，它既延续了20世纪以来中国画革新的历史潮流，又浸淫在特定的时代政治的背景中。水墨人物画在这一场被称为“新国画运动”的中国画演变过程中获得了极大的发展，在“中西融合”方式对中国画改革的介入，深厚而悠久的水墨传统形成的笔墨感觉以及在面对深入生活、表现新人和新事物的时代要求下，以现实主义创作为特征的写实水墨人物画出现了繁兴，成为代表这一时期水墨人物画创作的最具代表性成就。纵观中国人物画的演进历程，其创作的盛衰历来都是与时代政治的潮汐涨落密切相关的，而这一关联在“十七年”时期体现得尤为显著。因此，要研究这一时期呈现“百花齐放”的水墨人物画，不仅要将其置身于20世纪的中国画笔墨图式发展这一守护与拓进的演变过程，还要充分考察其所处的时代特征和政治诉求的诸方因素，唯有这样才能做出客观而全面的评价。本文以新中国“十七年”时期水墨人物画为研究对象，根据这一时期水墨人物画创作的总体体征，把研究的重点定位在写实水墨人物画笔墨革新与图式风格的研究上。文章运用文献研究、社会学研究、图像学研究、个案研究等方法，把写实水墨人物画的笔墨革新和图式风格的问题研究置于20世纪以来中国演进历程的坐标体系中，，结合“十七年”时期这一特定的时代语境与政治文化背景，探明“十七年”时期人物画笔墨语言及图像样式嬗变的缘起与基本状况，深入论述“十七年”时期写实水墨人物画创作及表现规律的探索，笔墨新变与图式风格的形成，全面阐述新中国“十七年”时期写实水墨人物画繁兴的成因及具体表现，并分别就“十七年”时期写实水墨人物画的成就、局限以及对后世人物画的影响进行阐述，在20世纪人物画的发展演进历史进程的坐标体系中较为全面的评价了“十七年”时期这一特定时代语境中水墨人物画的历史地位及对后世发展的影响，以期为写实水墨人物画的整体性研究做出一定的学术铺垫。
[Abstract]:The period of "seventeen years" in New China is an important stage in the evolution of Chinese painting in 20th century. It not only continues the historical trend of innovation in Chinese painting since 20th century, Also immersed in the political background of a specific era. Ink figure painting in this "new Chinese painting movement" in the evolution of the process of Chinese painting has been greatly developed, in the "Chinese and Western integration" mode of Chinese painting reform intervention, In the face of the deep and long tradition of ink painting, the realistic ink figure painting, which is characterized by realistic creation, has become more and more popular in the face of the deep life, the new people and the new things in the face of the requirements of the times. To represent this period of ink figure painting creation of the most representative achievement. Throughout the evolution of Chinese figure painting, the ups and downs of its creation have always been closely related to the tide and fluctuation of the politics of the times, which is especially evident in the period of "seventeen years". In order to study the ink and wash figure painting in this period, we should not only place it in the evolution process of the development of stroke and ink schema of Chinese painting in 20th century. Only in this way can an objective and comprehensive evaluation be made. This article takes the ink figure painting of the new China "17 years" period as the research object, according to the general sign of the creation of the ink figure painting of this period, The emphasis of the research is on the innovation of realistic ink painting and the study of schema style. This paper uses the methods of literature research, sociology research, image study, case study and so on. This paper puts the research on the innovation of realistic ink painting and the study of the pattern style in the coordinate system of the evolution of China since 20th century, combining with the specific context of the times and political and cultural background of the period of "seventeen years". To find out the origin and basic condition of the evolution of painting language and image style in the period of "seventeen years", to discuss deeply the creation and expression law of realistic ink figure painting in the period of "seventeen years", the new changes of strokes and ink and the formation of schematic style. This paper comprehensively expounds the causes and concrete performance of the profusion of realistic ink figure painting in the "seventeen years" period of New China, and respectively expounds the achievements, limitations and influence on the figure painting of later generations in the period of "seventeen years". In 20th century, in the coordinate system of the historical process of the development and evolution of the figure painting, the author comprehensively evaluates the historical position of the ink figure painting in the context of the specific era of "seventeen years" and its influence on the development of later generations. With a view to realistic ink figure painting for the integrity of the study to make a certain academic groundwork.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212;J209.2

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