再读荆浩——《笔法记》中“似”与“真”的比较研究

发布时间：2018-02-11 07:08

本文关键词： 荆浩笔法记写意画画学核心论题中国绘画史云林空间观念以大观小第三自然 　出处：《文艺研究》2017年06期 　论文类型：期刊论文

【摘要】：本文以《笔法记》核心论题"何以为似,何以为真"为起点,对荆浩开创绘画"似"与"真"的比较作具体考察与探究,寻绎"真"与"物象之原"理论对接的内在逻辑,揭示古典写意绘画画学概念"真"的深刻内涵。本文认为,荆浩所论之"真"是写意绘画的起点与原点,亦是写意绘画学术文脉的本原和真正传统;今人作中西古典绘画的比较研究,当从荆浩辨析"似"与"真"的思维轨迹中受到启迪。"似"是写实绘画路径的内在机理,"真"是写意绘画路径的内在机理,"似"与"真"的不同,就是写实与写意绘画内在机理的不同,进而可引申出两种真实观念、两种比例观念、两种空间观念。以此观之,"似"与"真"遂成为绘画之写实与写意的分水岭。
[Abstract]:Based on the core topic of "what is likeness and why is true", this paper makes a concrete investigation and exploration on the comparison between "likeness" and "truth" in Jing Hao's paintings, and tries to find out the internal logic of the docking theory of "truth" and "origin of object image". This paper reveals the profound connotation of the concept of "truth" in the study of classical freehand brushwork painting. This article holds that the "truth" discussed by Jing Hao is the starting point and origin of freehand brushwork painting, as well as the origin and true tradition of the academic context of freehand brushwork painting. A comparative study of Chinese and Western classical paintings, From Jing Hao's thinking path of "likeness" and "truth", he is inspired. "likeness" is the internal mechanism of realistic painting path, "truth" is the intrinsic mechanism of freehand brushwork painting path, and the difference between "likeness" and "truth". The difference between realistic painting and freehand brushwork can lead to two kinds of real ideas, two kinds of proportion concepts and two kinds of spatial concepts. In this view, "like" and "truth" become the watershed between realistic and freehand brushwork.
【作者单位】：安徽大学艺术学院;
【分类号】：J212

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