吴伟人物画艺术风格探究

发布时间：2018-02-22 11:32

本文关键词： 吴伟人物画绘画风格社会时代　出处：《湖北美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：纵观整个中国绘画史的发展历程,人物画在魏晋南北朝时期发展成熟,并在唐宋时期得到发展形成了非常鲜明的体系。然而在之后的时间,随着山水和花鸟两个题材的兴起,人物画渐渐退下了主舞台逐渐衰败。进入明代初期时期,以戴进、吴伟为代表的一批画家开始将人物画重新推进大众的视野,为明代以及之后的人物画的发展与兴起作出了杰出的贡献。吴伟作为明初代表画家之一,在山水、人物方向都有着卓越的成就。在人物画方面,吴伟在继承了前人的优秀经验的同时,从宫廷画的形式解脱出来,形成了在独具一格的绘画风格。本文试图通过对吴伟代表作品的分析,结合吴伟所处时期的社会时代背景和生平经历,来了解吴伟在人物画方向所呈现的多变的风格特征,以及影响其风格的诸多因素。
[Abstract]:Throughout the history of Chinese painting, figure painting developed and matured in the Wei, Jin, Southern and Northern dynasties, and formed a very clear system in the Tang and Song dynasties. However, after that, with the rise of landscape and flowers and birds, Figure painting gradually retreated from the main stage and gradually decayed. In the early Ming Dynasty, a group of painters, represented by Dai Jin and Wu Wei, began to push the figure painting back into the public's field of vision. Wu Wei, as one of the representative painters in the early Ming Dynasty, has made outstanding achievements in the landscape and in the direction of the figures. In the aspect of figure painting, Wu Wei has made outstanding contributions to the development and rise of the figure painting. Wu Wei, while inheriting the outstanding experience of his predecessors, was liberated from the form of court painting and formed a unique painting style. Combined with the social background and life experience of Wu Wei in the period, we can understand the changing style characteristics and many factors that affect the style of Wu Wei in the direction of figure painting.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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