南朝诗、画理论命题比较研究

发布时间：2018-02-23 06:28

本文关键词： 南朝诗论画论命题　出处：《江苏师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：“命题”是古代诗、画理论的重要表现形式，通过运用大量命题来表述思想观点，进行理论体系建构，是古代诗、画理论的一个重要特色。南朝是古代诗、画理论发展的重要时期，标志着古代诗、画理论的渐趋成熟。这一时期的诗、画理论有一个显著特点，即以命题形式来表达理论观点。南朝诗、画理论命题是目前学术界研究的薄弱环节，本文正是针对此薄弱环节而展开的研究，，共分为四部分。第一章主要由两部分组成，一是“命题”释义，这一部分详细阐释了命题的定义、分类及其与范畴的关系；二是南朝诗、画理论命题的基本情况，由南朝诗、画理论的发展概况和所涉及的理论层面两部分构成。本章对南朝诗、画理论的所有命题进行了全面归类并作简要论述。第二章论述了南朝诗、画创作论命题及其关系。本章以创作本源和创作方法为中心，着重阐释了南朝诗、画创作论命题中的代表观点，比较分析了南朝诗、画创作论命题，指出了南朝诗、画理论家对诗、画创作问题的共同观点和不同看法。第三章论述了南朝诗、画审美特征论命题及其关系。本章论述了南朝诗、画审美特征论命题中的代表观点，展现了南朝诗、画理论家对诗歌、绘画的审美追求以及他们的审美理想，并比较分析了南朝诗、画审美特征论命题的异同，不仅总结了南朝诗、画理论家对诗、画审美特征问题的共同看法并分析其原因，也论述了南朝诗、画审美特征论命题的不同观点，反映了南朝诗、画理论家的不同审美标准。第四章论述了南朝诗、画功能论命题及其关系。本章从政教功用和审美娱乐功能两个角度对南朝诗、画功能论命题进行论述，追溯了这两种艺术功能观的历史渊源，展现了南朝诗、画功能论由政教功用转向审美功用的过程，论述了南朝诗、画功能论命题的理论意义及其对后世艺术功能论产生的影响，分析了南朝诗、画功能论命题的异同。
[Abstract]:Proposition is an important form of expression of ancient poetry and painting theory. It is an important feature of ancient poetry and painting theory to use a large number of propositions to express ideas and construct theoretical system. The important period of the development of painting theory marks the maturation of ancient poetry and painting theory. The poetry and painting theory of this period has a remarkable characteristic, that is, expressing the theoretical point of view in the form of propositions. The proposition of painting theory is the weak link of academic research at present. The first chapter is mainly composed of two parts, one is the interpretation of "proposition", this part explains the definition, classification and the relationship between proposition and category in detail, the second is the basic situation of the proposition of painting theory in Southern Dynasty poetry. In this chapter, all the propositions of Southern Dynasty poetry and painting theory are classified and discussed briefly. The second chapter discusses the proposition and relationship of the Southern Dynasty poetry and painting creation theory. This chapter focuses on the origin and method of creation, and explains the representative viewpoints in the proposition of Southern Dynasty poetry and painting creation theory, and compares and analyzes the proposition of Southern Dynasty poetry and painting creation theory. This paper points out the common views and different views of painting theorists on the creation of poems and paintings in the Southern Dynasty. The third chapter discusses the Southern Dynasty poetry, painting aesthetic characteristics of the proposition and its relationship. This chapter discusses the Southern Dynasty poetry, painting aesthetic characteristics of the proposition of the representative point of view, showing the Southern Dynasty poetry, painting theorists on poetry. The aesthetic pursuit of painting and their aesthetic ideal, and comparative analysis of the Southern Dynasty poetry, painting aesthetic characteristics of the proposition of similarities and differences, not only summed up the Southern Dynasty poetry, painting theorists on poetry, painting aesthetic characteristics of the common views and analysis of its reasons. It also discusses the different points of view of the proposition of aesthetic characteristics of paintings and poems in the Southern Dynasty, reflecting the different aesthetic standards of poetry and painting theorists in the Southern Dynasty. Chapter 4th discusses the proposition and relationship of poetry and painting function in the Southern Dynasty. This chapter discusses the proposition of poetry and function of painting from the perspective of the function of politics and religion and the function of aesthetics and entertainment, and traces the historical origin of these two views of artistic function. This paper shows the process of changing the function of painting from the function of politics and religion to the aesthetic function, discusses the theoretical significance of the proposition of the function of painting and poetry in the Southern Dynasty and its influence on the functional theory of art in later generations, and analyzes the similarities and differences between the proposition of the function of painting and the poem of the Southern Dynasty.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.2;I207.22

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