中国学院陶瓷绘画浅析

发布时间：2018-02-23 08:01

本文关键词： 陶瓷绘画陶艺学院　出处：《中国美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：新中国成立后，陶瓷创作开始了新的篇章。陶艺家们在当时的社会形态下，进行着创作体验。他们的创作，离不开新中国的艺术发展史。选择中国学院陶瓷绘画作为切入点，试图对中国学院陶艺家的创作理念进行分析。他们是鲜活的，也是充满个性的，他们内心深处的情绪，通过陶瓷得以表达。对于“泥性”，，中国学院陶艺家也许是最好的诠释者。他们继承了古人制瓷的传统技巧，在此基础上，进行个性化的发挥。纵观中国陶瓷绘画的历史，清末程门父子算是一个界限。在他们之前，陶瓷作品的创作呈现群体意识，按照既定的审美标准；而他们则开启了陶瓷创作个人意识的时代。随后在“珠山八友”的推动下，文人瓷绘达到了高峰。中国学院陶艺家在脉络上，离不开程门父子和珠山八友。随着社会的进步发展，中国学院陶瓷绘画成为传统与当代相融合的产物。本文通过对新中国成立后，中国学院陶瓷绘画的脉络梳理，探讨中国学院陶瓷绘画的发展和意义。
[Abstract]:After the founding of new Chinese, ceramic creation began a new chapter. The artists at the time of the social form, a creative experience. They cannot do without the creation of new China history of art. China Institute of ceramic painting as a starting point, trying to Chinese college Potter's creative ideas were analyzed. They is fresh, but also full of personality, their deep emotions expressed by ceramic.
For the "mud", China, potters is perhaps the best interpretation. They inherited the traditional skills of ancient porcelain, on this basis, play personalized. Throughout the Chinese ceramic painting history, Qing Cheng and his son is a line. Before them, ceramic works showing the group consciousness and in accordance with the aesthetic standards established; and they opened the ceramic creation of individual consciousness era. Then in the "push" eight friends in Zhushan under the literati ceramic painting reached its peak.
China, potters in the choroid, cannot do without Cheng and his son and eight friends in Zhushan. With the development of society, China Institute of ceramic painting become the product of the integration of traditional and contemporary. Based on the new China after the establishment of China Institute of ceramic painting combing, discusses the significance and development of China Institute of ceramic painting.

【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527;J205

【参考文献】