诗性审美及其现代绘画之意义

发布时间：2018-02-23 07:52

本文关键词： 诗性智慧文学性直觉性绘画语言观念艺术审美价值　出处：《西安美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：诗性审美从曾经的带有原始色彩的思维方式，到后来的文学化的诗性审美因素，诗性的概念逐渐被具体化，这一过程被引入了美的概念，美成为了艺术的附属物，诗性被具体为诗意。到了现代艺术，欧洲哲学的“主体论”得以发展，个人作为主体的创造性被空前放大。“为艺术而艺术”“绘画语言自身的独立价值”等倡导被广泛接受，绘画最初的“再现”被主体性取代，随后的后现代艺术更是打破了艺术自主性的观念，之前建立的美学逻辑被完全颠覆，观念的引入使得绘画语言仅仅作为一种工具存在，绘画更多的是作为一种哲学观念的传达，在现代语境下，观念艺术的普及将哲学命题以及逻辑学引入了美学范畴，最终却丧失了最核心的美学本体。诗性审美的意义在于重新发现和中国文化有着内在统一的诗性智慧作为中国美学思想本源对于现代中国艺术乃至中国文化的重新审视，同时在深化自身意义的基础上对于现代绘画回归共同美学价值主体意义重大，只有当诗性思维与逻辑思维并列，，并作为人类的精神基本的内在存在结构，美学才能与知识学拉开本体意义上的距离。
[Abstract]:From the way of thinking with primitive color to the poetic aesthetic factor of literature later, the concept of poetry has gradually been concretized. This process has been introduced into the concept of beauty, and beauty has become an accessory to art. Poetics is specifically poetic. By the time of modern art, the "subject theory" of European philosophy has been developed, and the creativity of individual as subject has been magnified unprecedented. The advocacy of "art for the sake of art" and "the independent value of painting language itself" has been widely accepted. The original "reproduction" of painting was replaced by subjectivity, and then the post-modern art broke the concept of artistic autonomy. The aesthetic logic established before was completely subverted, and the introduction of the concept made the language of painting only exist as a tool. Painting is more as a philosophy of the transmission of ideas, in the modern context, the popularity of the concept of art philosophy proposition and logic into the aesthetic category, The significance of poetic aesthetics lies in the rediscovery of poetic wisdom with Chinese culture as the source of Chinese aesthetic thought, which reexamines modern Chinese art and even Chinese culture. At the same time, on the basis of deepening its own meaning, it is of great significance for modern painting to return to the subject of common aesthetic value, only when poetic thinking and logical thinking are juxtaposed, and as the basic inherent structure of human spirit, The distance between aesthetic ability and knowledge science is in the sense of Noumenon.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

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