当前位置:主页 > 文艺论文 > 绘画论文 >

关于《静处晨声》的创作报告

发布时间:2018-03-03 09:34

  本文选题:水墨人物画 切入点:造型 出处:《湖南师范大学》2013年硕士论文 论文类型:学位论文


【摘要】:随着时代的变迁,水墨人物画也在追求一种新的发展和创新道路。上个世纪,人们从西方引入了全新的绘画,它的出现对于我国的传统绘画来说,是一种全新的理念和形式。给水墨人物画的创作提供了一种新的思路,画面的语言形式也呈现了崭新的面貌。对于中国画创作而言,追求画面意境的绘画精神始终是不能遗弃的,同时为水墨人物画提出了一个新的课题,这个课题让我们去思考如何将传统的绘画形式与时代特征恰如其分的融合。就我个人来说,我认为,它更多的应该是一种语言的形式,把它作为一种表象的语言或者语句来与民族性绘画的精神相结合,来刻画出所要表达的对象,是不是一种互相结合互相渗透的基本范畴呢?在艺术理论的讨论上,艺术家们在绘画过程中都在力求解决笔墨与造型的矛盾,研究新的笔墨语言形式来表达主观思维和感受。 本人试图通过对作品《静处晨声》的创作过程和成果,来阐述并分析造型、笔墨等语言诸多要素是怎么样在水墨人物画创作中起的重要作用。分析中国水墨人物画发展的主要特点,详细论述创作过程中所带来的思考和研究性的问题,希望通过中国画特有的造型与笔墨特点带来的视觉意象,运用多种表现形式,营造出生动、厚重、意境深远的艺术作品,使看似平凡的实景背后透露出一种深刻的意义,求得绘画作品的写意精神。
[Abstract]:With the change of times, ink figure painting is also pursuing a new way of development and innovation. In 0th century, people introduced a new painting from the West, its appearance for the traditional painting of our country, Is a new concept and form. It provides a new way of thinking for the creation of ink figure painting, and the language form of the picture also presents a new look. For the creation of Chinese painting, The spirit of painting in pursuit of the artistic conception of the picture can never be abandoned, and at the same time, a new subject has been put forward for the ink figure painting. This topic makes us think about how to blend traditional painting forms with the characteristics of the times. Personally, I think it should be more of a linguistic form. Is it a basic category that combines it with the spirit of national painting and depicts the object to be expressed as a language or sentence of representation? In the discussion of art theory, artists in the painting process are trying to solve the contradiction between ink and style, and study new language forms to express subjective thinking and feelings. I try to explain and analyze the styling through the creative process and achievement of the work "quiet place Morning Sound". How to play an important role in the creation of Chinese ink figure painting? the main characteristics of the development of Chinese ink figure painting are analyzed, and the thinking and research problems brought about in the process of creation are discussed in detail. I hope that through the visual image brought by the unique modeling of Chinese painting and the characteristics of pen and ink, we can use a variety of forms of expression to create a vivid, thick and profound artistic work, so as to reveal a profound significance behind the seemingly ordinary real scene. Seek the freehand brushwork spirit of painting works.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前1条

1 宋永进;论中西绘画形式美的差异[J];新美术;1999年02期



本文编号:1560477

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1560477.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户14f70***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com