敦煌《引路菩萨图》与黑水城《阿弥陀佛来迎图》的比较与分析

发布时间：2018-03-03 12:32

本文选题：引路菩萨图　切入点：阿弥陀佛来迎图　出处：《陕西师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：敦煌《引路菩萨图》是藏于英国不列颠博物馆的佛教绢本设色卷轴画,《阿弥陀佛来迎图》是黑水城出土的西夏卷轴画,收藏在俄罗斯圣彼得堡艾尔米塔什博物馆。画中的菩萨和阿弥陀佛描绘的精美绝伦,令人惊叹,体现了古代佛教的繁荣昌盛和佛教文化的博大精深。本文以敦煌《引路菩萨图》和黑水城《阿弥陀佛来迎图》为研究对象,对其艺术特征和背景文化进行归纳和总结分析,并得出结论。文章首先从佛教人物画的肇始和发展谈起,分析了各个时期佛教人物画的特点和人物造型民族化、世俗化的发展过程,然后结合两幅画的时代背景分析了两幅画中佛像服饰的变化,得出敦煌《引路菩萨图》中的菩萨为文殊菩萨。最后本文分别从构图、敷彩及人物造型三个方面对比分析了两幅画的艺术特征。本文通过对比研究敦煌《引路菩萨图》和黑水城《阿弥陀佛来迎图》,进而深入了解佛教的发展变化,以及不同时代佛教艺术的魅力和它蕴含的文化意义。两幅作品诞生的时期不同,画面气氛也不相同,但在佛教人物的形象刻画和画面构成上有很多相似点。可以断定西夏时期佛教绘画吸收了宋代时期特别是北宋时期的佛教绘画风格,西夏时期的佛教绘画虽然具有自己独特的艺术特征但仍然留存有唐宋时期的绘画技法和特点。
[Abstract]:Dunhuang "guiding Bodhisattva" is a painted scroll of Buddhist silk books hidden in the British Museum. "Amitabha Buddha" is a Xixia scroll painting unearthed in Blackwater City. The paintings of Bodhisattva and Amitabha in the Elmitas Museum in St. Petersburg, Russia, are stunning and stunning, reflecting the prosperity of ancient Buddhism and the breadth and sophistication of the Buddhist culture. Based on Dunhuang Bodhisattva and Blackwater City and Amitabha Buddha as research objects, this paper summarizes and analyzes its artistic characteristics and background culture. And draw a conclusion. The article begins with the origin and development of Buddhist figure painting, and analyzes the characteristics of Buddhist figure painting in various periods and the development process of nationalization and secularization of figures. Then combined with the background of the two paintings, this paper analyzes the changes of the dress of the Buddha in the two paintings, and concludes that the Bodhisattva in Dunhuang "guiding Bodhisattva" is Manjusri Bodhisattva. The artistic features of the two paintings are compared and analyzed in three aspects: the application of color and the modeling of characters. Through comparative study of Dunhuang "Bodhisattva" and Blackwater City "Amitabha Buddha", this paper tries to understand the development and change of Buddhism. As well as the charm of Buddhist art in different times and the cultural significance it implies. The two works were born in different periods and the atmosphere of the pictures was different. However, there are many similarities in the image portrayal and picture composition of Buddhist figures. It can be concluded that Buddhist painting in the Western Xia period absorbed the Buddhist painting style of the Song Dynasty, especially the Northern Song Dynasty. Although Buddhism painting in Xixia period has its own unique artistic characteristics, it still retains the painting techniques and characteristics of Tang and Song dynasties.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J219

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