汉画像人物服饰的审美研究

发布时间：2018-03-05 00:33

本文选题：汉代　切入点：汉画像　出处：《江苏师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：汉服博大兼容，充分展现了中华民族大气磅礴的精神风貌；汉画像包罗万象，用图像记录了当时的历史，是汉文化的重要遗存，更是难得的艺术品。汉画像人物服饰作为两种艺术的结合，不仅具有重要的历史文化价值，更具有极高的审美价值。但迄今为止，研究汉画像的专家学者不少，但研究汉画像人物服饰的却不多。本文将从汉画像人物服饰着手，从美学和文化意义上对其进行系统的研究。本文从三个方面展开：首先，汉画像人物服饰概论。汉画像人物服饰是汉服和汉画的结合体，包含了汉代服装的特征，也包含了汉画的一些风格，它是一种新型的艺术。本章将从它与汉画、汉服的关系入手，，分析汉画像人物服饰与汉代社会生活及真正的汉服之间的关系。其次，汉画像中的不同人物及服饰特征。汉画像包罗万象，人物服饰类别也几乎涉及到当时社会生活的各个领域，研究时不可能面面俱到。流传下来的汉画像中，伎乐者、武士、贵族、劳动者这四类群体的服饰比较整齐、鲜明，基本上代表那个时代各个阶层的审美文化特征。本章对这四类人的服饰具体研究，以便于更好的了解服饰背后折射出来的审美文化。最后，汉画像人物服饰的审美特征。汉画像人物服饰是汉画像及汉代服饰的结合点，具有多重审美特征。本章将从美学的角度出发，通过研究汉画像人物服饰实用性与艺术性的统一、等级性与多样性的统一、写行性与写意性的统一、传统文化对审美的导向等方面研究它审美方面的特点。
[Abstract]:The Han suit is compatible with the vast, full display of the magnificent spirit of the Chinese nation. The portrait of the Han Dynasty covers everything and records the history of the time with images. It is an important relic of the Han culture. As a combination of the two kinds of art, the costume of Han portraits not only has important historical and cultural value, but also has extremely high aesthetic value. But so far, there are many experts and scholars who study Han portraits. However, there are not many researches on the costume of Chinese portrait characters. This paper will start with the dress of Han portraits and systematically study it in the sense of aesthetics and culture. This paper starts from three aspects:. First of all, an introduction to the dress of Han portraits. The dress of Han portraits is a combination of Han suit and Han painting, which includes the characteristics of Han costume and some styles of Han painting. It is a new art. The relationship between Han costume and Han Dynasty's social life and real Han suit is analyzed. Secondly, the different characters and clothing characteristics in the Han portraits. The Han portraits are all over the world, and the types of costumes of the characters also involve almost every field of social life at that time, so it is impossible to cover all aspects of the study. The clothing of the samurai, aristocrat and laborer groups is relatively neat and distinct, which basically represents the aesthetic and cultural characteristics of all strata of that era. This chapter makes a specific study of the clothing of these four categories of people. In order to better understand the aesthetic culture behind the dress. Finally, the aesthetic characteristics of the dress of the Han portraits, which are the combination of the Han portraits and the costumes of the Han Dynasty, have many aesthetic features. This chapter will proceed from the aesthetic point of view. By studying the unity of the practicality and artistry of Chinese portrait characters, the unity of rank and diversity, the unity of writing and writing and freehand brushwork, and the aesthetic guidance of traditional culture, the aesthetic characteristics of Han portraits are studied.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TS941.12;J205

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