当代工笔人物画色彩情感表现探析

发布时间：2018-03-05 08:16

本文选题：当代工笔人物画　切入点：色彩　出处：《西安美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：工笔人物画是中国画中历史最为悠久的表现形式，，而作为其重要构成元素之一的色彩,是画面中较为直观的视觉因素，能够瞬间引起人们的视觉注意与情感共鸣。色彩在艺术作品中并非是对自然事物本身色彩的单纯反映，而是被赋予了人的情感意识和某种精神，使人产生记忆与联想，随之激起各种喜怒哀乐的心理情感，同时它还体现着民族文化的人文情感。探析当代工笔人物画色彩情感表现时，首先必要了解其色彩所寄寓的民族人文情感，即民族精神、文化内涵。中国画的色彩是在传统哲学的基础上寄客观事物以主观情感的玄学色彩体系，隐喻着丰富的人文内涵。了解在中国传统哲学影响下形成的色彩观以及对应产生的传统表现方式和所体现的传统美学特征，有利于当代工笔人物画家在保持自己的民族个性的基础上，借古开今，洋为中用，拓展色彩的表现方式，以更丰富且具有个性的色彩语言来传达内心的情感和表现丰富多彩的时代风貌。本论文共分为四大部分。第一部分为引言，阐述本论文研究的目的和价值意义进而引出本论文所要论述的问题。第二部分探讨当代工笔人物画色彩表现的人文情感，即追踪其内在根基性，分别从两方面阐述：第一方面以论带史，从包括“五行”、儒、道、禅在内的传统哲学角度探析中国传统文化对中国画色彩观产生的影响及其对应历史阶段主要呈现的色彩风貌；第二方面，探讨当代工笔画对传统美学特征的体现。第三部分探析在中西方文化碰撞交融的大环境下当代工笔画家如何“借古开今”、“洋为中用”，在拓展工笔人物画色彩情感表现方式方面取得一定突破。第四部分，从当代工笔人物画表现的题材角度，以当代优秀工笔人物画作品为例，探索当代画家如何运用色彩表现出的更为细腻丰富的情感状态和体现的时代个性。
[Abstract]:Meticulous figure painting is the oldest form of expression in Chinese painting, and as one of its important elements, color is a visual factor in the picture. Color is not a simple reflection of the color of nature itself, but is endowed with a sense of emotion and a certain spirit that makes people remember and associate. It arouses a variety of emotional emotions, and it also embodies the humanistic feelings of national culture. When analyzing the expression of color emotion in contemporary meticulous figure painting, it is necessary to understand the national humanistic emotion, that is, national spirit, which is embodied in the color of the figure painting. Cultural connotations. The color of Chinese painting is a metaphysical color system in which objective things are sent by subjective emotion on the basis of traditional philosophy. Metaphorically rich in human connotation. Understand the color view formed under the influence of Chinese traditional philosophy, the corresponding traditional expression and the traditional aesthetic characteristics. On the basis of maintaining their national individuality, contemporary meticulous figure painters are in a position to borrow the ancient times and open up the present, making use of foreign materials for the purpose of developing the way of expression of colors. More rich and individual color language to convey the feelings of the heart and the performance of rich and colorful style of the times. This thesis is divided into four parts. The first part is the introduction, which explains the purpose and value of this paper, and then leads to the problems to be discussed in this paper. The second part discusses the humanistic emotion of the color expression of contemporary meticulous figure painting. That is, to trace its intrinsic foundation, respectively from two aspects: first, to discuss the history, from the "five elements", Confucianism, Taoism, The influence of Chinese traditional culture on the color view of Chinese painting and the color style of the corresponding historical stage are analyzed from the perspective of traditional philosophy including Zen. The third part analyzes how contemporary painters "open the present day through the ancient times" and "use the foreign language as the middle" in order to expand the color emotion of the meticulous figure painting in the environment of the collision of Chinese and western cultures. The third part analyzes how the contemporary meticulous brushwork painters "use the ancient times to open the present day" and "use the foreign language as the middle" Some breakthroughs have been made in the way of expression. Part 4th, From the point of view of the subject matter of contemporary meticulous figure painting, this paper takes contemporary fine figure painting works as an example to explore how contemporary painters use color to display more delicate and rich emotional state and reflect the personality of the times.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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