河北辛集农民画研究

发布时间：2018-03-05 08:31

本文选题：色彩　切入点：造型　出处：《河北大学》2014年硕士论文　论文类型：学位论文

【摘要】：河北辛集农民画自五十年代的壁画运动开始，经历了近六十年的发展历程，有过三次高潮期，第一次高潮是“大跃进”时期的壁画运动，全县大搞壁画，画风清新质朴，但是很快就冷却了；第二次高潮是文化大革命时期，虽然作品注重造型、线条，水平有所提高，画风日趋文雅工细，但是却带有严重的文革元素，成为了政治的御用工具；第三次高潮是改革开放之后，河北辛集农民画终于摆脱了政治上的束缚，走上了回归自我、关注自我的道路。同时，在美术辅导员的引导下，吸收并借鉴了年画、剪纸、刺绣等多种传统的民间艺术形式，色彩对比动感、强烈，造型夸张、概括，具有河北地区所独有的稚拙、粗犷、淳厚的艺术特色，生活气息浓郁，反映着新时代农民们的生活热情和审美情趣，并且河北辛集农民画登上了世界的舞台，深受国内外友人的喜爱，频频在世界各国展出并获奖，蜚声海内外。然而，曾经大放异彩的河北辛集农民画，近几年却进入了瓶颈期，如今已是风光不再，，面临着绘画人才队伍的匮乏和缺乏市场观念这两个严重的问题，阻碍着河北辛集农民画的发展。面对河北辛集农民画这朵艺术之花逐渐凋零的现状，不仅引发我们的深思，也警示着我们应该加大保护、发展的力度，尊重民间艺术，尊重农民创造，不断地反思、反省，对艺术持有一种自觉、自强意识，才能使辛集农民画具有长久的生命力。
[Abstract]:The peasant paintings of Xinji, Hebei Province, have experienced nearly 60 years of development since the murals movement in 50s. There have been three periods of high tide. The first climax was the murals movement during the "Great Leap forward" period. The second climax was the period of the Cultural Revolution. Although the works focused on modeling, line and level, the painting style became more and more refined, but with serious elements of the Cultural Revolution, it became a political tool. The third climax was after the reform and opening up, Hebei Xinji farmers' paintings finally got rid of the political shackles and embarked on the road of returning to themselves and paying attention to themselves. At the same time, under the guidance of art counselors, they absorbed and drew lessons from New year paintings and paper-cut. Embroidery and other traditional folk art forms, color contrast dynamic, strong, hyperbole, summary, Hebei region unique childish, rugged, honest artistic characteristics, rich flavor of life, Reflecting the life enthusiasm and aesthetic interest of farmers in the new era, and Hebei Xinji Peasant painting on the world stage, deeply loved by friends at home and abroad, frequently exhibited and won awards in the world, famous at home and abroad. However, Hebei Xinji Peasant painting, which was once brilliant, has entered a bottleneck period in recent years. Now it is no longer a scene. It is facing two serious problems, namely, the shortage of painting talents and the lack of market concept. It is hindering the development of Hebei Xinji Peasant painting. In the face of the present situation of Hebei Xinji Peasant painting, the art flower gradually withered away, which not only triggered our deep thinking, but also warned us that we should increase protection, development and respect for folk art. Only by respecting farmers' creation, constantly reflecting, introspecting, and holding a conscious and self-strengthening consciousness of art, can Xinji's peasant paintings have a long life force.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J219

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