对中国人物画异变的分析

发布时间：2018-03-05 09:28

本文选题：传统人物画　切入点：文人画　出处：《天津师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：中国人物画发展历史是非常曲折的,主要是宋代文人画的兴起,改变了它原有的运行轨迹,当文人画成为中国画主流时,人物画的处境更加窘迫。本人分析了它的形成期、发展期、高峰期、衰落期、复兴期等过程。本文将结合历史与近现代中西结合的绘画发展历程,分析中国人物画的异变。本论文分为四章进行论述：第一章简述中国传统人物画的分析。第二章阐述中国人物画异变的三个方面；既题材的异变、审美取向的异变、人物造型的异变。第三章分析“线”在人物画造型中的作用。第四章探讨当代人物画的拓展性。本文详细论述西方绘画的进入,在中国绘画内核中引起的巨大变革,分析了中西文化的交流、融合的基本特点、方法。探讨了传统程式化语言与现代思维法则的冲突和契合,当代人物画是运用传统的构成形式和规律,并与个人的认知观念相结合的产物,多元化时代构成了鲜明的个性风貌。
[Abstract]:The development history of Chinese figure painting is very zigzag, mainly because of the rise of literati painting in Song Dynasty, which changed its original running track. When literati painting becomes the mainstream of Chinese painting, the situation of figure painting is even more difficult. The development period, the peak period, the decline period, the revival period and so on. This article will combine the history and the modern Chinese and Western painting development process, This paper is divided into four chapters: the first chapter briefly describes the analysis of Chinese traditional figure painting, the second chapter expounds the three aspects of the Chinese figure painting variation, namely, the theme of the different changes, the aesthetic orientation of the different changes, The third chapter analyzes the role of "line" in the modeling of figure painting. Chapter 4th discusses the expansibility of contemporary figure painting. This paper discusses in detail the great changes caused by the entry of western painting in the core of Chinese painting, analyzes the basic characteristics and methods of the communication and fusion of Chinese and Western cultures, and probes into the conflict and agreement between the traditional formulaic language and the modern thinking principle. Contemporary figure painting is a combination of traditional forms and laws, combined with individual cognitive concepts, and the pluralistic era constitutes a distinct personality.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】