当代彝族题材油画研究

发布时间：2018-03-05 20:50

本文选题：当代　切入点：彝族　出处：《西南大学》2014年硕士论文　论文类型：学位论文

【摘要】：彝族题材油画从最初新中国成立以后的零星出现,发展到乡土时期成为中国油画风景里面的一道靓丽的风景线,再到当下本土一批以彝族文化身份为背景的彝族画家的成长,为彝族题材油画创作奠定了坚实的基石,并取得了累累硕果。彝族题材油画创作的主体从最初以汉族为主体的画家群体发起、发展及延续,到当下随着本土彝族画家群体的成长,彝族油画创作主要是以本土彝族画家群体为主。虽然已经有很多的艺术家在进行彝族题材油画创作,同时有丰富的绘画成果,但是对当代彝族题材油画的理论梳理研究目前很少。本文从梳理彝族题材油画入手,结合作品分析,对彝族题材油画有个客观的认识,分析当代彝族题材油画存在的问题,在此基础上分析及思考其存在的问题,提出自己的思考。本研究总体上分为三个章节：第一章通过搜集彝族题材油画作品和相关文字资料,结合中国油画发展的历史和少数民族题材油画的发展历史,对彝族题材油画的发展历史做一个浅显的概括归纳并定位。第二章对当代彝族题材油画创作中的两种艺术视角的分析。彝族题材油画创作主体有非彝族的画家群体和彝族画家群体,由于其文化身份的不同其创作有不同的艺术视角。非彝族画家群体的“他者”视角；彝族画家群体的“本土”视角。第三章分析当代彝族题材油画创作存在的问题。通过本研究得出结论：作为彝族题材油画家必须潜心研究彝族传统文化艺术精神,思考彝族传统文化深层价值,寻找其中有益于促进彝族题材油画发展的元素,提高艺术创作整体水平,深化彝族题材油画作品的深度。同时要直面当下彝族人社会生活的变化,创作出能够反映当下彝族人的生存现实、心灵现实的具有时代感的油画作品。
[Abstract]:Yi subject matter oil paintings appeared sporadically after the founding of New China at the beginning, and developed into a beautiful landscape in Chinese oil painting during the local period, and then to the growth of a group of Yi painters in the present local culture background. It has laid a solid foundation for the creation of oil paintings of Yi nationality subject matter, and has made numerous achievements. The main body of Yi subject oil painting creation started, developed and continued from the group of painters with the Han nationality as the main body at the beginning. At present, with the growth of local Yi painters, Yi oil painting is mainly composed of local Yi painters. Although there are already many artists working on Yi subject matter oil paintings, there are also rich painting achievements. However, there is little research on the theory of the contemporary Yi subject oil painting. This paper starts with combing the Yi subject oil painting, combining with the analysis of the works, has an objective understanding of the Yi subject oil painting, and analyzes the problems existing in the contemporary Yi subject oil painting. On the basis of the analysis and thinking of its existing problems, put forward their own thinking. This study is divided into three chapters:. The first chapter through the collection of Yi subject oil painting works and related materials, combined with the development of Chinese oil painting history and the development history of ethnic minority oil painting, Yi theme oil painting development history of a simple summary and positioning. In the second chapter, the author analyzes two kinds of artistic perspectives in the creation of oil paintings on the subject of the Yi nationality. The main subjects of the oil paintings of the Yi nationality are the non-Yi painters and the Yi painters. Because of its different cultural identity, its creation has different artistic perspectives, the "other" perspective of non-Yi painters and the "native" perspective of Yi painters. The third chapter analyzes the problems existing in the creation of contemporary Yi subject matter oil painting. The conclusion is as follows: as oil painters of Yi nationality subject matter, they must concentrate on the study of Yi traditional culture and art spirit, think about the deep value of Yi traditional culture, and find out the elements beneficial to the development of Yi subject oil painting. To improve the overall level of artistic creation, deepen the depth of Yi subject oil paintings, at the same time to face the changes in the current Yi people's social life, to create oil paintings with a sense of the times that can reflect the present Yi people's living reality and spiritual reality.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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