黄庭坚题画诗、跋蕴含的绘画思想研究

发布时间：2018-03-05 21:22

本文选题：黄庭坚　切入点：题画诗、跋　出处：《江西社会科学》2016年05期 　论文类型：期刊论文

【摘要】：北宋江西籍诗人、书法家黄庭坚是宋代题画诗、跋之大家,留存至今的约有两百多首,这些题画诗、跋中蕴含着丰富的绘画思想。归纳其蕴含的绘画思想主要表现在以禅论画、画当观韵、浑然天成三个方面:黄庭坚认为绘画在表现笔墨情韵之外还应表现画家的心灵感悟,通过超越技法、富含意味的物象来传递只可意会、无须言传的意趣与韵味,从而达到明心见性、表现理趣、直指"本真"的境界;绘画作品的优劣主要表现在是否有"韵"上,"韵"是一种超越物象与笔墨技巧之外的画外之意,象外之神,笔外之趣,是以心驭笔,心迹自然外泄的结果,绘画有"韵"则不欲,应当绝俗、避俗;绘画是"心象"的自然流露,强调"心"与"悟"的作用,突破一切法度与规矩的束缚,达到"技进乎道"、"不装巧饰"、"与天成功"的自由创作境界。
[Abstract]:Huang Tingjian, the Jiangxi poet and calligrapher of the Northern Song Dynasty, is a member of the Song Dynasty who wrote paintings and postscript poems. There are more than 200 poems written in the Song Dynasty. These poems and postscript contain rich painting thoughts. Painting should be viewed in three aspects: Huang Tingjian thinks that painting should also express the artist's spiritual feeling in addition to expressing the ink and pen sentiment, and pass on only the will and charm without the expression of interest and charm by transcending the technique and rich in the image of the object. In order to achieve clarity of mind, to express rational interests, and to point directly to the realm of "original truth", the merits and demerits of painting works are mainly manifested in whether there is a "rhyme", "rhyme" is a kind of extrashart meaning, like a god outside the picture, and an interest outside the pen that transcends the physical image and the technique of pen and ink. It is the result of using the heart to control the pen, the mind is naturally leaking out, the painting has the "rhyme", it is not the desire, should reject the vulgarity, the painting is the "mind image" the nature reveals, emphasizes the function of "the heart" and "the enlightenment", breaks through all the laws and the rule's restraint, To achieve the "technology into the road", "do not pretend artistry", "and the success of heaven" free creative realm.
【作者单位】：东华理工大学艺术学院视觉传达系;
【基金】：江西省艺术科学规划项目“黄庭坚题画诗蕴涵的绘画思想及当代价值研究”(YG2013124)
【分类号】：I207.22;J212

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