写生因素在中国当代山水画创作中的体现

发布时间：2018-03-14 00:56

本文选题：写生因素　切入点：师造化　出处：《河北师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：本文中，写生因素是指一切与师法自然有关的绘画创作活动，如：“师造化”，“搜尽奇峰打草稿”，现代意义上的对景写生，参照照片进行创作等。审美要求决定创作意识和方法。中国传统山水画不同于西方绘画意义上的写生，，由于传统山水画的审美要求，传统画家不需要现代意义上的对景写生；传统画家主张“搜尽奇峰打草稿”，观察和体悟大自然后再创作，而不是现代意义上真山真水地对景刻画；“师造化”包括游览大山大水、感悟自然“搜尽奇峰打草稿”等与绘画有关的活动，是“看和体悟的过程”。现代意义上的对景写生是指自徐悲鸿以来，中国山水画受西方绘画写生的影响，画家面对大自然追求写实性的绘画创作活动，当代画家一般外出写生，亲临自然、感悟自然的绘画状态；以下简称“对景写生”。写生因素无论古代还是当今都存在于山水画创作中。写生因素不分国界，潜存于东西方绘画作品中；无论是古代还是当今；无论是西方还是东方，绘画作品中都存在着写生因素。尤其是在中国当代山水画创作中普遍存在着写生因素。本文通过例证和引证阐述了传统山水画中普遍存在着写生因素以及结合当代山水画创作的背景及对创作中现实问题的思考，在现、当代山水画中也普遍潜存着写生因素的探讨，得出结论：写生因素是当代山水画创作的必由之路。例如：李可染、石鲁、黄宾虹，贾又福、白云乡、方向、何家林、陈平、韩敬伟等的绘画作品都经历了从对景写生到艺术创作的蝉变。写生因素为山水画创作的空间提供了无限可能性；它是每个山水画家不可回避的问题，也是必经之路。新形式的出现源自画家对写生因素的把握和运用；写生因素是推陈出新的必经之路。写生因素在当代山水画创作中意义重大。尤其是对现阶段研究生创作而言更是意义深远。把握写生因素，做一个有时代责任感的山水画家，通过对景写生，搜尽奇峰打草稿等提高自己的造型能力和创新能力，创作出赋有时代意义的优秀山水画作品。
[Abstract]:In this paper, the sketch factor refers to all the painting activities related to the nature of the teacher's law, such as: "the teacher created the painting", "search the Qifeng to type the draft", the modern sense of the opposite sketch, Chinese traditional landscape painting is different from Western painting in the sense of painting, because of the aesthetic requirements of traditional landscape painting, traditional painters do not need the modern sense of landscape painting; Traditional painters advocate "searching Qifeng for a draft", observing and understanding nature before creating, rather than portraying the landscape in the modern sense of the true mountain and the real water. "teacher making" includes visiting the mountains and floods. To understand nature's activities related to painting, such as "searching out Qifeng and typing drafts", is "the process of seeing and understanding". In the modern sense, landscape painting means that since Xu Beihong, Chinese landscape painting has been influenced by Western painting. The painter faces the nature pursue realistic painting creation activity, the contemporary painter generally goes out to paint, personally comes to the nature, realizes the natural painting state; The following is referred to as "opposite landscape sketch". The sketch factor exists in landscape painting both in ancient times and today. Sketching factors, regardless of national boundaries, lurk in eastern and western paintings, whether ancient or present, Western or eastern, The painting works all have the sketch factor, especially in the Chinese contemporary landscape painting creation generally exists the sketch factor. This article through the example and the quotation elaborated the traditional landscape painting universal existence sketch factor and the union when. The background of the creation of landscape painting and the reflection on the realistic problems in the creation, At present, there is also a general discussion of sketching factors in contemporary landscape painting, and it is concluded that sketching factors are the only way to create contemporary landscape paintings. For example: Li Keran, Shi Lu, Huang Binhong, Jia Youfu, Baiyun Township, direction, he Jialin, The paintings of Chen Ping, Han Jingwei, etc., have all experienced a change from landscape painting to artistic creation. The sketch factor provides unlimited possibilities for the space of landscape painting creation; it is an unavoidable problem for every landscape painter. The emergence of the new form originates from the artist's grasp and application of the sketch factor, which is the only way to bring forth the new from the old. The factor of sketching is of great significance in the creation of contemporary landscape painting, especially for graduate students at this stage. Search Qifeng draft to improve their ability to shape and innovative ability to create an era of outstanding landscape painting works.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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