中国画色彩现代性建构的问题研究

发布时间：2018-03-14 01:14

本文选题：中国画色彩　切入点：现代性　出处：《山东理工大学》2013年硕士论文　论文类型：学位论文

【摘要】：本论文旨在提出色彩元素在中国画现代性发展过程中的重要性与特征,并着重从意识建构角度论证中国画色彩的现代性发展趋势,希望对中国画的创作实践提供一些理论层面的引导和启示。论文主要从探析传统、融合中西、意识建构、相关影响四个维度对中国画色彩的现代性建构问题进行阐述。 “探析传统——中国画色彩现代性建构的必要性”。本章从色彩语言内部、色彩语言与其它表现语言的相互关系两个层面,对传统中国画的“色彩缺失”进行阐述,指出“色彩缺失”背后深层的社会历史原因,并展开对色彩视角下的传统中国画的重新解读,进而提出中国画色彩现代性建构的必要性问题。 “融合中西——中国画色彩现代性建构的过程”。融合中西是中国画发展的一种历史的必然选择,具体到中国画语言变革,随着与水墨语言主导地位相依存的古代封建社会的瓦解与消亡、西方现代艺术的大量传入以及中国画自身新发展的迫切要求,色彩成为变革中国绘画的重要切入点之一。许多现代中国画家也开始积极实践色彩语言的中国画变革,并在中西方绘画色彩的融合中建立起中国画新的发展基点。 “意识建构——中国画色彩现代性建构的核心”。本章从视觉造型意识、形式构成意识、抽象表现意识及时代民族审美意识四个层面,并借助大量案例分析展开对现代中国画色彩建构的阐述。视觉造型、形式构成、抽象表现及时代民族审美这四个层面也是中国画色彩现代性建构的发展方向与发展趋势。 “相关影响——影响中国画色彩现代性建构的其它因素”。任何事物的发展都不是孤立的,在顺应自身发展规律的同时,也摆脱不了与其它因素的相互关联与作用。社会境遇、日常生活、相关艺术门类、边缘科学等都对中国画色彩的现代性建构产生了直接或间接、深层或边缘的影响,这是研究现代中国画色彩语言问题不可忽视的一个立体交叉维度。
[Abstract]:The purpose of this paper is to put forward the importance and characteristics of color elements in the development of modernity of Chinese painting, and to demonstrate the trend of the modernity of color in Chinese painting from the perspective of consciousness construction. I hope to provide some theoretical guidance and inspiration to the creative practice of Chinese painting. This paper mainly discusses the modernity construction of Chinese painting color from four dimensions: the analysis of tradition, the integration of China and the West, the construction of consciousness, and the related influence. "analyzing the necessity of constructing the Color modernity of traditional Chinese painting". This chapter expounds the "color deficiency" of traditional Chinese painting from the perspective of the relationship between color language and other expressive languages. This paper points out the deep social and historical reasons behind "color deficiency", and reinterprets the traditional Chinese painting from the perspective of color, and then puts forward the necessity of constructing the modernity of color in Chinese painting. Integration of Chinese and Western painting: the process of constructing Color modernity in Chinese painting. The integration of Chinese and Western painting is an inevitable historical choice for the development of Chinese painting, specifically to the transformation of Chinese painting language. With the disintegration and extinction of ancient feudal society, which depends on the dominant position of ink and wash language, a large number of modern western art and the new development of Chinese painting are urgently required. Color has become one of the important breakthrough points for the transformation of Chinese painting. Many modern Chinese painters have also begun to actively practice the change of color language in Chinese painting, and have established a new development base of Chinese painting in the fusion of Chinese and Western painting colors. "consciousness Construction-the Core of the Construction of Color modernity in Chinese painting". This chapter consists of four levels: visual modeling consciousness, form constitution consciousness, abstract expression consciousness and national aesthetic consciousness of the times. With the help of a large number of case studies, this paper expounds the color construction of modern Chinese painting, the visual modeling, the form composition, the abstract expression and the national aesthetics of the times, which are also the development direction and development trend of the modern construction of Chinese painting color. "related influence-other factors that influence the construction of color modernity in Chinese painting". The development of anything is not isolated. While complying with its own development law, it can not get rid of the interrelation and function with other factors. The daily life, the related art category, the fringe science and so on all have the direct or indirect, the deep or the edge influence to the Chinese painting color modernity construction, this is the research modern Chinese painting color language question cannot be ignored a three-dimensional intersecting dimension.
【学位授予单位】：山东理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】