当前位置:主页 > 文艺论文 > 绘画论文 >

谈实践创作中对李可染山水画“墨法”的理解与运用

发布时间:2018-03-16 12:21

  本文选题:李可染 切入点:山水画 出处:《沈阳师范大学》2013年硕士论文 论文类型:学位论文


【摘要】:李可染是我国20世纪举世闻名的山水画大师,,李可染对中国画的贡献在于他很好的继承并发扬传统山水画。并且李可染是在战乱年代继承了我国传统山水画之中的坚与勤,同时再此基础上探索并建立了一种新的山水画样式,这种样式中存在了对于西方美学的借鉴,形成了李可染自成一方的“李家山水”,李可染的山水画重视自身对于景物之“情”的感悟,形成景物之境,进而呈之与纸上,这种由情入景再入情的方法是李可染的山水画作久盛不衰的重要原因。与此同时,李可染对于情景、时代与创新的精神是我国这一代画者的宝贵财富,同时激发了我们对于山水画创作创新的意识。李可染的山水画与中国传统的山水画在步步发展的时代进程中达到了完美的契合,在这期间完成了古典山水向现代山水的转型,李可染的写生实践对当前的绘画创作有着非常重要的意义。李可染对于景、物以及画法等选择上都颇具一格,同时李可染对于情在画作中的运用也在其作品中得到了完美的诠释,因此对于李可染的研究能够给与我在山水画创作中得到一些真挚的启示,也是对李可染先生的山水画大师地位的肯定。本文将通过李可染山水画墨法之特点,联系墨法技法的特点,结合本人创作实践过程中绘画感触进行论述。
[Abstract]:Li Keran is a world-famous master of landscape painting in 20th century in our country. Li Keran's contribution to Chinese painting lies in his very good inheritance and development of traditional landscape painting. Moreover, Li Keran inherited the strength and diligence of Chinese traditional landscape painting in the era of war. At the same time, a new style of landscape painting has been explored and established on this basis, which has been used for reference to western aesthetics. Forming Li Keran's own "Li Jia landscape", Li Keran's landscape painting attaches importance to its own "feeling" of the landscape, forming the landscape environment, and then presenting it to the paper. This method of moving from emotion to scene and into emotion is an important reason for Li Keran's landscape painting to be prosperous for a long time. At the same time, Li Keran's spirit of scene, time and innovation is the precious wealth of this generation of painters in our country. At the same time, it inspires our consciousness of creation and innovation of landscape painting. Li Keran's landscape painting and Chinese traditional landscape painting have reached a perfect agreement in the process of step by step development of the times. During this period, the transition from classical landscape to modern landscape has been completed. Li Keran's sketching practice is of great significance to the current painting creation. Li Keran is quite unique in the choice of scenery, objects and painting methods. At the same time, Li Keran's use of emotion in his paintings has also been perfectly interpreted in his works. Therefore, the study of Li Keran can give me some sincere inspiration in the creation of landscape paintings. It is also the affirmation of Mr. Li Keran's position as a master of landscape painting. This article will discuss the painting feeling in the process of my creative practice through the characteristics of Li Keran landscape painting and ink painting, connecting with the characteristics of ink painting techniques.
【学位授予单位】:沈阳师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前7条

1 束文斌;;黄宾虹的“活眼”和李可染的“光斑”——中国山水画的图式管见[J];内蒙古艺术;2008年02期

2 周建波;;我对黑白的思索——“黑白”在李可染山水画中的延伸[J];美术大观;2010年06期

3 王鲁湘;;李家山水有传人——从李可染到李小可、李庚的山水传承与衍变[J];荣宝斋;2006年06期

4 郑工;;把“新诗”画在纸上——有关李可染“诗意山水画”创作中的三个问题[J];中国书画;2008年10期

5 王鲁湘;;龙瑞革新中国山水画的代表[J];人物;2009年01期

6 李海滨;;笔墨性情 山水意境——读蒂嘉山水作品有感[J];中国书画;2008年09期

7 何怀硕;;开新局,创高峰——李可染先生诞生百年纪念[J];中国美术馆;2007年10期



本文编号:1619888

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1619888.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户50b70***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com