“妆扮”系列油画创作研究
发布时间:2018-03-16 18:33
本文选题:妆扮 切入点:生活 出处:《延边大学》2014年硕士论文 论文类型:学位论文
【摘要】:对日常生活方方面面的描绘一直是国内外画家乐此不疲的构思题材,也是艺术源于生活的最好写照。例如闫平的《母与子系列作品》画家就是将现实生活中真切生动的母子经历诉诸于笔端,在平面静止的画面中动静相宜地展现了人间最美好最无私的挚爱深情,这些都是日常生活之中情感的再现。我认为表现出人类最本质的生活与情感就是艺术最好的题材,并且有非常好的发展趋势。 论文的第一章绪论部分,主要介绍了整篇论文的选题由来、研究内容和研究目的。我从本科的学习生活中在闫平的一些生活类油画作品之中就得到过很多启发,再联系自己日常生活的一些场景,特别是我个人认为自己周边地区,女生日常生活系列的油画作品数量不是很多,这些原因促使着我对女生日常生活这一题材非常的感兴趣,并且从本科毕业创作一直延续到研究生的毕业创作中。 论文的第二章是我整个的“妆扮”系列油画的创作过程,也是我自己整个绘画语言的组织过程。先是介绍了创作之前的前期准备工作,从选定资料拍摄动作、到选定画框的尺寸、再到如何选定构图,都经过了自己非常精心的准备。然后详细介绍了我的作品的绘画过程,每一幅作品动作、构图、颜色的搭配都是经过了我自己对自己反复的肯定、否定、再肯定的过程,直至在画面上呈现出自己满意的作品。 最后论文的第三章写的是“妆扮’’系列油画创作的现实意义,强调了观念性和创新性的思维。我用的大块颜色的搭配力求一种视觉带给人的刺激来表现一种对这幅作品的情绪,抽去了写实性的色彩,单纯和直观的表达了我的想法以及认识,更是对生活的幸福感,是用一种理想化的场景和色彩来表达我对理想和生活的诠释,是我在社会中的对自己对社会的认识和自己对艺术理念的表达。 《妆扮》系列油画创作是继我本科毕业创作之后对这一题材的又一次探索,为今后的一个时期继续创作这一系列题材提供一些积累和帮助,让我可以在以后的研究、学习、创作中不断完善和成熟自己的艺术观念和艺术风格。
[Abstract]:The depiction of all aspects of daily life has always been a constant theme for painters at home and abroad. It is also the best portrayal of art that originates from life. For example, Yan Ping's "Mother and Child Series" painters appeal to the pen for the real and vivid mother and child experience in real life. In the still picture of the plane, the best and most selfless love and affection in the world are properly displayed. These are the reappearance of emotions in daily life. I think that the most essential life and emotion of human beings are the best subjects of art. And there is a very good trend of development. The first chapter is the introduction, which mainly introduces the origin, research content and purpose of the whole thesis. I have got a lot of inspiration from my undergraduate study and life in some of Yan Ping's life oil paintings. Connecting with some scenes of my daily life, especially in my own neighborhood, I think that the number of oil paintings in the daily life series of girls is not many. These reasons have prompted me to be very interested in the subject matter of girls' daily life. And from the undergraduate graduate creation has continued to graduate creation. The second chapter of the thesis is the creation process of my whole "makeup" series oil paintings, and also the organization process of my whole painting language. To choose the size of the frame, to how to choose the composition, are all through their own very careful preparation. Then detailed introduction of my work painting process, each work movement, composition, Color collocation is through my own repeatedly positive, negative, positive process, until in the picture to show their own satisfied works. Finally, the third chapter of the thesis is about the realistic significance of the oil painting creation of the series "dress up". Emphasis on idealism and creative thinking. The collocation of the bulk colors I use seeks a visual stimulus to express an emotion for the work, and removes the realistic color. Simple and intuitive expression of my ideas and understanding, but also to the well-being of life, is to use an idealized scene and color to express my ideal and life interpretation, It is my understanding of the society and the expression of my artistic idea in the society. "dressing up" series oil painting creation is another exploration of this subject after my undergraduate graduate creation. It provides some accumulation and help for continuing to create this series of subjects for a period in the future, so that I can study and study in the future. In the creation continuously consummates and matures own artistic idea and the artistic style.
【学位授予单位】:延边大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J213
【参考文献】
相关期刊论文 前2条
1 何谦;;艺术不可漠视对人的关怀[J];大众文艺(理论);2009年04期
2 郭红专;中国当代油画的文化归属[J];美术观察;2004年07期
,本文编号:1621192
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1621192.html