论传统山水画技法元素在当代写意人物画中的运用

发布时间：2018-03-16 19:08

本文选题：写意人物画　切入点：山水画元素　出处：《沈阳师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：在当代，由于中西方文化的频繁交流和互鉴，当代中国已逐渐形成了以西方绘画理念与绘画形式为美术教育基础与切入点的教育模式。因此学习和研究绘画艺术的年轻一代，从接受美术教育开始就一直以素描、色彩等西方绘画为主，导致对中国的传统绘画知之甚少。随着历史的进步与时代的变迁，中国当代写意人物画多元化发展已成为不可阻挡的趋势，在西方绘画理念融入的影响下，，当代写意人物画得到了新的养分，但在此过程中也产生了诸多问题。西方写实主义绘画理念引入的同时，也在一定程度上削弱了中国画传统绘画固有的民族气质与魅力。当代西方艺术理念的融入在极大程度上侵蚀了本民族故有的文化内涵与民族审美意识。在这样的时代背景中如何掌握好“度”是一个值得深思的问题。本人本着崇尚传统、融通中西、关注当代、着眼未来的原则，通过对历代积淀丰厚的山水画作品、山水画理论著作和历代写意人物画作品、写意人物画理论等各自的发展历程，以及二者相借鉴、运用的历史渊源进行比较研究，将两者从内在思想深度上的关联和外在艺术表现手法上的共通点作以深入探究，认为当代处于多元化发展的写意人物画遇到了很多复杂因素的影响。本文主要从技法表现方面通过积淀丰厚的山水画元素对写意人物画表现手法的影响以及在写意人物画中的运用来探讨说明，传统的山水画审美理念与笔墨理论给予当代写意人物画创作空间上带来的拓展和传统的民族思想与人文情怀对当代写意人物画创作意识与思想深度上带来的启示。
[Abstract]:In contemporary times, due to the frequent exchanges and mutual learning between Chinese and western cultures, contemporary China has gradually formed an educational model based on the concept and form of Western painting as the basis and entry point of art education. From the beginning of art education, drawing, color and other Western paintings have been the main, resulting in very little understanding of traditional Chinese painting. With the progress of history and the change of times, the pluralistic development of Chinese contemporary freehand figure painting has become an irresistible trend. Under the influence of the integration of western painting ideas, contemporary freehand figure painting has gained new nutrients. However, there are many problems in this process. Western realism painting concept was introduced at the same time, To a certain extent, it also weakens the national temperament and charm inherent in traditional Chinese painting. The integration of contemporary western artistic concepts has greatly eroded the cultural connotation and national aesthetic consciousness of the traditional Chinese painting. How to grasp the degree in the background of the times is a problem worth pondering. In line with the principle of advocating tradition, integrating Chinese and Western, paying attention to contemporary times and focusing on the future, I have accumulated abundant works of landscape painting, theoretical works of landscape painting and freehand brushwork of past dynasties. The development course of freehand figure painting theory and the historical origin of their use for reference are compared, and the connection between the two from the depth of internal thought and the common points of external artistic expression techniques are deeply explored. The author thinks that the contemporary freehand figure painting, which is in the pluralistic development, has met the influence of many complicated factors. This article mainly from the aspect of the technique performance, through the accumulation rich landscape painting element to the freehand brushwork figure painting expression technique influence as well as in the writing. The use of Italian figure painting to explain, Traditional landscape painting aesthetic concept and brush and ink theory to contemporary freehand figure painting creative space brought about by the expansion of traditional national thought and humanistic feelings of contemporary freehand figure painting creative consciousness and depth of inspiration.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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