独立电子游戏画面的后现代艺术性研究

发布时间：2018-03-17 01:11

本文选题：后现代艺术　切入点：电子游戏　出处：《江南大学》2014年硕士论文　论文类型：学位论文

【摘要】：每一个历史阶段的人们都有着属于自己的审美价值取向，每一个历史阶段的审美价值取向大相径庭但是又一脉相承，从达芬奇、拉斐尔、米开朗基罗为代表的文艺复兴时期发展到鲁本斯时代的“巴洛克”风格，再从以莫奈为代表的“印象派”艺术发展到毕加索的“立体主义”、杜尚的“达达主义”。艺术按照其自身的发展规律循序渐进的发展。而在当今生产力飞速发展的时代，生活水平的提高却不能够在提高人们的物质文明享受水平的时候同时也能够满足人们日益增长的精神文化需求。现代主义艺术所倡导的主观的心灵感受进一步发展为后现代主义艺术打破艺术与生活的界限，艺术还原生活的本原。后现代主义艺术和现实生活不再是相互孤立的两个世界，突破了传统自然主义写实的形式样式追求永恒内在的美的原则。后现代主义艺术思想在对工业时代的大规模标准化的生产所产生的文化思想所具有的特点进行解构分析，无论是波普文化还是达达主义还是装置艺术等其它的后现代主义艺术表现形式都是对已有工业文明的反动和突破，否定了长久以来的艺术审美取向和传统的价值观。在后工业时代，人类对于在复杂、多样的审美环境下产生了虚无感和不确定的无所适从，后现代主义艺术思想正是在这样的大环境中诞生，这些或荒诞无忌或标新立异的精神表现在独立电子游戏中，人在游戏过程中的生理动作和心理活动和游戏满足人的行为心理需求产生了相互的影响。独立电子游戏作为后工业时代的产物，其美术画面所体现的游戏风格及体验互动方式都直接或间接地体现了后现代主义的思想特点，表现出受后现代主义艺术的影响具有后现代主义的艺术特征。从虚拟性、交互性、自由性、事件性、波普文化等多个后现代艺术方面逐一体现了独立电子游戏不是孤立存在的，它是现当代社会文化的一个侧面和缩影。
[Abstract]:People in every stage of history have their own aesthetic value orientation, and the aesthetic value orientation of each historical stage is very different, but it is inherited from Leonardo da Vinci, Raphael, Michelangelo as the representative of the Renaissance to the Rubens era of the "Baroque" style, Then, from the "Impressionist" art represented by Monet to Picasso's "cubism" and Duchamp's "Dada Doctrine", art developed step by step according to its own law of development. But in today's era of rapid development of productive forces, However, the improvement of living standard can not only improve the enjoyment of material civilization, but also meet the increasing spiritual and cultural needs of people. The subjective spiritual feeling advocated by modernism art is further developed. For post-modernist art to break the boundary between art and life, Post-modernist art and real life are no longer two separate worlds, breaking through the principle of pursuing eternal inner beauty in the form of traditional naturalistic realism. The post-modernism art thought has deconstructed the characteristics of the cultural thought produced by the large-scale standardized production in the industrial age. Whether it is pop culture, Dadaism or installation art, other post-modernist artistic expressions are reactionary and breakthrough to the existing industrial civilization. In the post-industrial era, human beings have a sense of nothingness and uncertainty in a complex and diverse aesthetic environment. It is in this great environment that postmodernist art ideas are born, and these absurd or innovative spirits are manifested in independent video games. People's physical and psychological activities in the process of games and games meet the psychological needs of human behavior has a mutual impact. Independent video games as a product of the post-industrial era, The game style and experience interaction style embodied in its art picture directly or indirectly reflect the ideological characteristics of postmodernism, and show the artistic characteristics of postmodernism under the influence of postmodernism art. Freedom, event, pop culture and other aspects of post-modern art one by one reflect the independent video game is not an isolated existence, it is a profile and microcosm of modern and contemporary social culture.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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