中西绘画中骷髅母题与主题的比较——以《鬼趣图》和《死亡舞蹈》为例

发布时间：2018-03-17 12:31

本文选题：骷髅　切入点：死亡　出处：《文化艺术研究》2017年02期 　论文类型：期刊论文

【摘要】："骷髅"这一母题历史上由来已久,中西绘画史上都有着丰富的内涵,只是这种主题到后期有了不同程度的变异,不断演变延伸出新的主题。即"骷髅"这一母题原型在中西方的不同的文化背景下,加入了不同的次级母题元素,从而呈现出一种新的母题意象,表现出不同的主题,这一形象囊括了人生百态,蕴含中西死亡观人生观。我国清代罗聘的《鬼趣图》和文艺复兴时期小荷尔拜因的《死亡舞蹈》是骷髅题材的绘画作品,图像中的母题、题材和表达方式都表现出一定的相似性,更多地倾向于骷髅母题谐俗、幽默、具有讽刺意味的形象,展现出一种"鬼趣"和"死亡舞蹈"的碰撞。本文比较在不同的环境下两种不同文化孕育的艺术形象,重点在于在跨文化框架中对"骷髅"母题的探讨。
[Abstract]:The theme of "skull" has a long history. Both Chinese and Western painting history have rich connotations, but this theme has varied in different degrees in the later period. Under the different cultural background of China and the West, the prototype of the motif "Skeleton" adds different sub-motif elements, thus presenting a new motif image and showing different themes. This image includes all forms of life and contains Chinese and Western views on life. The Ghost Pictures of Qing Dynasty and the death Dance of Little Holbein in Renaissance are the masterpieces and motifs of the images. Both the subject matter and the way of expression show certain similarity, more tend to the skeleton motif, humorous, sarcastic image, This paper compares the artistic images of two different cultures in different environments, focusing on the discussion of the theme of "Skeleton" in the cross-cultural framework.
【作者单位】：东南大学艺术学院;
【基金】：国家社科基金课题艺术学项目重点课题“中国传统艺术母题与主题学体系研究”(项目编号:16AA001)的阶段性成果
【分类号】：J205

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