当代中国女性艺术家自画像中的自我存在意识

发布时间：2018-03-17 15:22

本文选题：女性艺术　切入点：自画像　出处：《重庆大学》2013年硕士论文　论文类型：学位论文

【摘要】：女性艺术是中国当代绘画史上一支以自画像为主的独特且不容忽视的的艺术流派，自画像是女性以女性身份和女性视角来自我描摹或传达自己人生观和价值观的一种艺术语言，这种语言具有自己独特的艺术价值，主要体现在以自我存在为前提表达出“我”与时代、文化、社会生活等环境的密切关联，并在一定程度上代表了当下特定群体在特定的现实处境下自我形象的描绘和自我存在的状态，本文讨论的不仅是自我形象的描绘，更多的是具有泛指性的社会属性和群体属性的描绘。本文对女性自画像及自我存在的解析是基于特定的中国女性绘画史和西方存在主义理论的背景，其中包含中西方女性艺术衍变发展由远及近的纵向扫描和中国同时期不同女画家自画像个案研究的横向扫描。女性通过自画像艺术形式来进行自我的研究，认识自我，实现自我并超越自我，不仅意识到自身存在的存在，也反思自身存在的存在，在个人的生存空间里努力表达自己存在的价值与意义，也阐述人与自然，人与社会之间的微妙关系。文章从女性自画像作品入手，运用“自我”和“存在主义”的理论对符号学、美学、心理学、主体性哲学和存在主义哲学等领域大致的分析来试图揭开一部被尘封的历史，并赋予她们自由或重新建构她们的存在权利与价值追求，最后逐渐衍生到对整个女性群体或人类社会的存在意义探讨。本文主要通过查阅文献，比较分析，实例研究等方法，，从七个方面对全文进行论述。首先对中国女性绘画史和女性自画像发展的一个脉络进行了解与分析，阐述国内外女性艺术家自画像的研究现状，并结合西方自我存在主义和主体性哲学的相关理论，系统的梳理和分析自画像中自我存在意识的表现、发展与演变，以及对当代中国女性艺术家自画像作品中所呈现出来的情结进行分类，从时间和空间的维度来解析自画像中的自我存在。其次，将论文的焦点集中到对女性自画像作品中呈现出的自我生存空间和精神空间的分析与阐述，包括呈现出来的生存方式和生存状态，并结合个人自画像创作的实践来深入分析这种自我体系。最后是对女性自画像作品中自我存在价值与意义的一些思考，了解当今女性自我存在状态下的存在价值和意义是什么，并倡导油画创作者应当在尊重自我，了解自我的前提下再深入研究超越自我的艺术。
[Abstract]:Female art is a unique and important art school in the history of Chinese contemporary painting. Self-portrait is an artistic language in which women describe or convey their own outlook on life and values from the female identity and perspective. This language has its own unique artistic value, mainly reflected in the self-existence as the premise of expressing the "I" and the times, culture, social life and other environments closely related, To a certain extent, it represents the description of self-image and the state of self-existence of a specific group in a specific situation. This paper not only discusses the depiction of self-image. It is more the description of social attribute and group attribute with generality. The analysis of self-portrait and self-existence of women in this paper is based on the background of the specific history of Chinese women's painting and Western existentialism theory. It includes the development of female art in China and the West from the vertical to the near vertical scan and the horizontal scanning of the case study of different female painters in the same period in China. Women study themselves through the art form of self-portrait to understand themselves. To realize and transcend oneself, not only to realize the existence of oneself, but also to reflect on the existence of oneself, to express the value and significance of one's existence in one's own living space, and to expound man and nature. The delicate relationship between man and society. Starting with the works of self-portrait of women, this paper tries to uncover a dusty history by using the theories of "self" and "existentialism" to analyze the fields of semiotics, aesthetics, psychology, subjectivity philosophy and existentialism philosophy. And give them the freedom or re-construction of their rights and value pursuit of existence, finally gradually derived to the entire female group or the existence of human society to explore the significance of the text, mainly through literature review, comparative analysis, case studies and other methods, First of all, to understand and analyze the history of Chinese women's painting and the development of female self-portraits, and to expound the research status of self-portraits of female artists at home and abroad. Combining with the relevant theories of western self-existentialism and subjective philosophy, this paper systematically combs and analyzes the expression, development and evolution of self-existence consciousness in self-portrait. And to classify the complex in the self-portrait works of contemporary Chinese female artists, and analyze the self-existence in the self-portrait from the dimension of time and space. The focus of the thesis is on the analysis and exposition of the self-existence space and spiritual space presented in the female self-portrait works, including the way of existence and the state of existence. Finally, some reflections on the value and significance of self-existence in women's self-portrait works are given to understand the value and significance of existence under the condition of women's self-existence. Oil painting creators should study the art of transcending themselves on the premise of respecting and understanding themselves.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.2

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