西方自画像中的自我意识心理探微

发布时间：2018-03-17 20:45

本文选题：自画像　切入点：自我意识　出处：《中国美术学院》2014年硕士论文　论文类型：学位论文

【摘要】：绘画本身就是艺术家自我意识的一种表达方式，而自画像作为一种特殊的绘画形式，与艺术家自身有着尤为紧密的关系。自文艺复兴人文主义思想得到广泛的传播后，自画像成为一种独立的绘画形式出现在艺术舞台上，其魅力在于：艺术家在创作自我肖像过程的本身就是自我审视和重新认识的行为，其体现的意境是其他绘画形式所不能替代的，，它犹如一面镜子，向我们再现了艺术家的精神面貌和生活状态，成为我们了解艺术家的有效途径。文章的第一章主要以时间为线索简述自画像的起源和发展，并说明在社会环境的驱动下自我意识的提高对于自画像的发展起到的关键作用。文章的第二章从自我意识的心理成分出发，根据艺术家自我关注的心理意识对其个性的形成，以及对自画像创作过程中所起到的导向作用来阐明自我意识在自画像创作中的独特性和突出性。另外，本文创新地将自画像作品呈现出的不同表现形式归纳为三种类型，即自我认知型、自我体验型和自我调控型，附以艺术家的自画像作品为例，分别对这三种自画像形态的特点加以说明，探究创作心理对于艺术创作的重要性。文章的最后部分探讨自画像的研究价值，通过解构的方法归类分析艺术家的自画像作品，能对作者的心灵图景有更深刻的认识，为作品的解读提供更新的视角，以期指导日后的创作实践。
[Abstract]:Painting itself is an expression of the artist's self-consciousness, and as a special form of painting, self-portrait has a particularly close relationship with the artist himself. Since the Renaissance humanism thought has been widely spread, Self-portrait becomes an independent form of painting that appears on the art stage. Its charm lies in the fact that the process of creating self-portrait by an artist is an act of self-examination and rethinking. Its artistic conception can not be replaced by other forms of painting, it is like a mirror, to us to reproduce the spirit of the artist and the state of life, become an effective way for us to understand the artist. In the first chapter, the origin and development of the self-portrait are briefly described with time as the clue. The second chapter starts from the psychological component of self-consciousness, according to the formation of the artist's personality according to the psychological consciousness of self-concern, and explains the key role of self-consciousness in the development of self-portrait, which is driven by the social environment, the second chapter of the article starts from the psychological component of self-consciousness, according to the formation of the artist's personality. And the guiding role played in the process of self-portrait creation to clarify the uniqueness and prominence of self-consciousness in self-portrait creation. That is, self-cognition, self-experience and self-control, with the artist's self-portrait works as an example, to illustrate the characteristics of the three self-portrait forms, The last part of the article discusses the research value of self-portrait, through the deconstruction method to classify and analyze the artist's self-portrait works, can have a deeper understanding of the author's spiritual picture. To provide a new perspective for the interpretation of works, with a view to guiding future creative practice.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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