戴熙绘画风格研究

发布时间：2018-03-18 01:32

本文选题：戴熙　切入点：《习苦斋画絮》纪年抄本　出处：《中国美术学院》2016年博士论文　论文类型：学位论文

【摘要】：戴熙是道光、咸丰年间的著名画家,他的《习苦斋画絮》收录他1840年到1860年间的绘画题跋。浙江省图书馆收藏有抄本《习苦斋画絮》,依时间先后次序编排,完整地呈现了戴熙人生中最后二十年的绘画轨迹。本文以这部纪年抄本为线索,对戴熙画论著作版本作了考证,在此基础上,多方搜集戴熙存世作品,用文献与图像对照的方式,深入探讨戴熙绘画风格的形成与演变过程。戴熙的画大都清雅而厚重,清雅得不稚弱,厚重得不涂抹,总是在寻找微妙的平衡。这与他的个人气质、诗文品味正宛似处在一个同心圆中,就此而言,“品评”实际上参与了戴熙生活和艺术的方方面面。本文的写作即以“雄阔”和“秀逸”作为一对相对的风格概念来透视戴熙绘画追求,从画家身处的情境中展开一种“以心印心”式的阐述方式。既具体而微地了解他在某年某月的创作心得和种种关于笔墨图式的细腻感受;又前后连贯地在时间的线性链条中探讨他这二十年绘画思想之演变过程。通过考证,寻绎出对他绘画风格产生激发作用的事件,了解到他在当时身处的文化情境中的感受、作出如何的风格选择等等,将绘画的内部视角与外部视角相结合,把握戴熙绘画风格变化的走向、理解绘画之于画家的意义。更希望以恰如其分的视点透视文人画和那沉甸甸的笔墨传统,了解明清文人画家在作画时的那种不易言说但又普遍存在的内心体验。
[Abstract]:Dai Xi is a famous painter in the period of Dao Guang and Xianfeng. His works on Xiluzhai paintings include his paintings from 1840 to 1860. The Zhejiang Provincial Library has a copy book, Xiluzhai paintings, arranged in chronological order. It presents the painting track of Dai Xi in the last two decades of his life. This paper, taking this chronological transcript as a clue, makes textual research on the edition of Dai Xi's works on painting theory. On this basis, he collects various works of Dai Xi's existence in the world. The formation and evolution of Dai Xi's painting style are discussed in depth by means of comparing documents with images. Dai Xi's paintings are mostly elegant and heavy, unsophisticated, too thick to be smeared, and are always looking for a delicate balance. This is in keeping with his personal temperament. The taste of poetry and prose seems to be in a concentric circle, In this regard, "evaluation" has actually participated in all aspects of Dai Xi's life and art. This paper uses "Xiong Kuang" and "elegant" as a pair of relative style concepts to perspective Dai Xi's painting pursuit. Starting from the situation in which the painter is in, a kind of expounding way of "initiation with the heart" is developed. It not only understands his creative experience in a certain year and month, but also all kinds of delicate feelings about the stroke and ink schemata. In the linear chain of time, he explores the evolution of his two decades of painting thoughts. Through textual research, he finds out the events that have inspired his painting style, and finds out how he feels in the cultural situation he was in at that time. How to choose the style, and so on, combining the internal and external perspectives of painting to grasp the trend of Dai Xi's painting style change. To understand the significance of painting to the painter, I hope to see through the literati painting and the heavy brush and ink tradition with a proper perspective, and to understand the innermost experience of the literati painters in the Ming and Qing dynasties, which is not easy to say, but generally exists.
【学位授予单位】：中国美术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J212

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