由萨金特和佐恩想到的中国写实油画的“有为”之“道”

发布时间：2018-03-18 01:36

本文选题：萨金特　切入点：佐恩　出处：《中央美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：萨金特和佐恩的油画既有对古典油画的继承,也有对写实油画艺术的新的探索和发展。本文作者用过对萨金特和佐恩油画艺术的分析,联想到我国写实油画的‘昨天、今天和明天’,阐述了中国写实油画要想在‘有为’之路上大有可为,就要掌握住其所承载的对社会思想和审美的引领,就是掌握住社会历史责任。本文绪论里简要介绍了写实油画艺术能不断的延续,被继承和完善是因为其有稳固的审美基础和广泛的社会基础。在第一章里简要介绍了萨金特和佐恩的艺术生涯、艺术风格和对写实油画艺术的探索和研究。第二章先简要叙述了油画在中国的历史,然后着重讲了中国写实油画的发展状况,探讨了中国写实油画的发展问题。第三章介绍了中国油画面临的新的人文环境和自我更新及完善。
[Abstract]:The oil paintings of Sargent and Zorn not only inherit the classical oil paintings, but also have new exploration and development of the realistic oil painting art. The author of this article has used the analysis of the oil painting art of Sargent and Zorn to think of the 'yesterday' of the realistic oil painting in our country. Today and tomorrow, he elaborated that if Chinese realistic oil paintings want to have a great deal of promise on the road of 'doing well', they must master the guidance they carry on social thinking and aesthetics. Is to grasp the social and historical responsibilities. The introduction to this article briefly introduces the continuous continuation of the art of realistic oil painting. It is inherited and perfected because it has a solid aesthetic foundation and a broad social foundation. In the first chapter, the artistic careers of Sargent and Zorn are briefly introduced. The second chapter briefly describes the history of oil painting in China, and then focuses on the development of realistic oil painting in China. This paper discusses the development of Chinese realistic oil painting. The third chapter introduces the new humanistic environment and self-renewal and perfection of Chinese oil painting.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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