“逼真”的秘密—维米尔画作中的透视法则研究

发布时间：2018-03-18 08:12

本文选题：维米尔　切入点：逼真　出处：《南京师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：维米尔是荷兰17世纪的风俗画家,其作品呈现出的类似照片的“逼真”特质总令观赏者叹为观止。17世纪荷兰社会对于绘画作品“逼真”效果的追求使艺术家投身于研究如何再现真实场景的绘画技法,而对透视画法的探索与运用使画家的作品在很大程度上直逼“摄影”。维米尔即是对透视法研究与运用的代表画家。他悉心研究单点透视与两点透视画法,并采用订钉拉线的独特技法作画。他还借助透镜暗箱观察对象,模仿暗箱效果加强画面的透视感,使透视法与透镜暗箱的使用并行不悖,创造出类似照片的画面效果。而在风景画的创作中,维米尔又取消了固定视点,使所描绘场景具有纪念碑式的意义。本文通过对维米尔多幅画作中的透视法则研究,揭示维米尔如何运用透视法进行创作,从而很好的实践了17世纪荷兰绘画追求“逼真”的艺术趣味。
[Abstract]:Vermeer is the Holland seventeenth Century genre painter, his works show the similar photos of the "vivid" character always makes the viewer.17 century Holland society as the acme of perfection for the painting "vivid" effect in pursuit of the artist to devote themselves to the study of how to reproduce the real scene painting techniques, and to explore and use of perspective to the painter's works to the "largely photography". Vermeer is the representative painter of the research and application of perspective. He carefully studied the single point perspective and perspective drawing, and painting with nail pull unique techniques. He also with a camera lens observation object, imitate the effect of strengthening the sense of perspective camera picture, make use of perspective the lens and the camera obscura run parallel create a similar picture, picture effect. In the creation of a landscape painting, Vermeer lifted a fixed viewpoint, which describes the scene with The significance of monument. Based on the perspective rules in many of Vermeer's paintings, this paper reveals how Vermeer uses the perspective method to create, so as to better practice the artistic interest of Holland painting in seventeenth Century.

【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

【共引文献】