仇英“仙境”题材立轴青绿山水的视觉导向规律之初探

发布时间：2018-03-18 13:41

本文选题：青绿山水　切入点：仙境　出处：《中央美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：本文试图通过对仇英的几幅“仙境”题材立轴青绿山水中经营位置部分的具体分析,来寻找其作品中的视觉导向规律之路径或脉络,并以王原祁《雨窗漫笔》中“龙脉”论述来加以检验与佐证；同时从仇英的个人境遇、个性特征分析入手,并参以其他文人类似作品相比较。希图得出结论：仇英立轴青绿山水中的“仙境”是其理想追求的文人士大夫阶层生活之折射；其作品中的视觉导向之规律具有清晰而严格的传统文人画的经营位置、设色布局的“龙脉”思路,并可视其为这方面创作实践之典型。笔者还认为,这种视觉导向之规律即所谓“龙脉”,是画家提炼自然之后的主观的、自觉的设计,是整幅画的灵魂和作品得以“气韵生动”、意境生成的关键,也是画家借以引导观赏者欣赏作品、引其入境的重要手段之一。
[Abstract]:This paper attempts to find out the path or context of the visual guiding law in Qiu Ying's works by analyzing the management position in the vertical axis of the theme of "Wonderland" in Qiu Ying's works. It is tested and corroborated by Wang Yuan Qi's "Longmai" in "Rain window", and the personal circumstances and personality characteristics of Qiu Ying are analyzed at the same time. The author draws a conclusion that the "fairyland" in the green landscape of Qiu Ying axis is the refraction of the life of literati and bureaucrats in his ideal pursuit; The law of visual orientation in his works has the clear and strict management position of traditional literati painting, the "dragon vein" idea of color-setting layout, and it can be regarded as a typical creative practice in this respect. This kind of visual guiding law, called "dragon vein", is the subjective and conscious design of the painter after refining nature, and is the key to the "vivid charm" and artistic conception of the whole painting. It is also one of the important means for the painter to guide the viewer to appreciate the works and introduce them into the country.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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