“何画柳题”现象研究

发布时间：2018-03-18 14:09

本文选题：何香凝　切入点：柳亚子　出处：《中国艺术研究院》2017年硕士论文　论文类型：学位论文

【摘要】：何香凝是我国近现代革命家、政治活动家、同时也是一位画家。在书画中,她与柳亚子的交往最为密切,柳亚子是为她的画题诗最多的一位,“何画柳题”的数量逾百十件,其数量之多,意义之丰富,时间跨度之长,在柳亚子的诗词集中都属罕见,“何画柳题”远近闻名,渐成一种模式。这不仅与二人相似的性格特点和互补的艺术素养有关,更与他们一致的政治立场和思想观念有关,从这点来说,“何画柳题”可以说几乎就是一部国民党左派斗争史。二人在诗画合作中加深了友谊,两家两代人的友谊又增加了诗画合作的机会。“何画柳题”不仅为二十世纪的政治、历史、绘画研究提供了大量的第一手资料,作为一种模式,这种合作本身又构成了艺术的二度创作,它有着自身独有的形式美感和内在意蕴,丰富了中国诗书画合作的历史。
[Abstract]:He Xiangning is a modern revolutionist, political activist, and also a painter in our country. In calligraphy and painting, she has the closest contact with Liu Yazi. Liu Yazi is the one who wrote the most poems for her painting, and the number of "he Daoliu" is more than 100. Its number, meaning, time span are rare in Liu Yazi's poetry concentration. "he painting willow title" is famous and gradually become a kind of pattern. This is not only related to their similar character and complementary artistic accomplishment. From this point of view, "he Pu Liu title" can be said to be almost a history of the struggle of the Kuomintang left. The two men deepened their friendship in their cooperation in poetry and painting. The friendship between the two generations has also increased the opportunities for cooperation in poetry and painting. "he Pu Liu title" not only provided a lot of first-hand information for the political, historical, and painting studies in 20th century, but also served as a model. This kind of cooperation itself constitutes the second creation of art. It has its own unique aesthetic sense of form and inherent meaning, which enriches the history of Chinese poetry, calligraphy and painting cooperation.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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