关于十一，十二届全国美展工笔人物作品中女性形象的研究

发布时间：2018-03-18 19:53

本文选题：全国美展　切入点：女性形象　出处：《河北大学》2017年硕士论文　论文类型：学位论文

【摘要】：女性一直是中国人物画中重要的描绘对象,在历朝历代人物画作品中出现了许多的以女性为主题的工笔人物作品,所描绘的女性形象会随着时代的审美情趣和女性社会地位的变化而改变。不同时期作品中的女性艺术形象的改变,也暗含了画家创作取向和审美诉求,六朝时期女性形象追求秀骨清像,隋朝五代则以丰肥艳丽为美,宋元讲究端庄秀丽,明清则以纤弱秀美为标准。工笔人物画发展到民国时期,整体陷入了萧条状态,只有很少数画家进行了积极的艺术探索。新中国成立之后,随着女性社会地位的提高,积极进取的新女性形象成为工笔人物作品中所描绘的主流,至“文革”时期,更是只有标签化的正面女性形象在作品中才会被重点塑造。进入20世纪八十年代以后,随着改革开放,社会的政治和经济状况发生了巨大变化,伴随着社会进步工笔人物画也迅猛发展,该文以第十一,十二届全国美展入选获奖作品为例,分析当代工笔人物作品中的女性形象特点,近两届美展中入选的工笔人物作品中都市题材成为主流,少数民族题材、军旅题材和农村题材也有所创新,各种题材中的女性形象呈现出明显的个性化特点,同时各种绘画语言在继承中国传统绘画方法的基础上兼收并蓄,更加丰富了画面的艺术表现力,使当代工笔人物作品中女性形象的塑造呈现出多元化发展趋势。
[Abstract]:Women have always been an important object in Chinese figure painting. In the works of figure painting of successive dynasties, many fine brushwork with the theme of women have appeared. The female images depicted will change with the changes of the aesthetic tastes of the times and the social status of women. The changes in the artistic images of women in the works of different periods also imply the artistic orientation and aesthetic appeal of painters. During the six dynasties, the female image of the six dynasties sought to show the clear image of the bones, the Sui Dynasty and the five dynasties took the rich, fat and gorgeous as the beauty, the Song and Yuan dynasties paid attention to decency and the beauty of the Ming and Qing dynasties was regarded as the standard. The fine brushwork figure painting developed to the period of the Republic of China, and the whole fell into a state of depression. Only a few painters have made active artistic exploration. After the founding of New China, with the improvement of the social status of women, the new and enterprising image of women became the mainstream in the works of meticulous characters, until the "Cultural Revolution" period. In 1980s, with the reform and opening up to the outside world, the political and economic situation of the society has changed dramatically. With the rapid development of meticulous figure painting in social progress, this paper takes the winning works of the 11th and 12 National Fine Arts Exhibition as an example to analyze the characteristics of female images in the works of contemporary meticulous figures. In the works of meticulous characters selected in the recent two art exhibitions, urban themes have become the mainstream, and the themes of ethnic minorities, military and rural areas have also been innovated, and the images of women in various themes have shown obvious individualized characteristics. At the same time a variety of painting language in succession to the traditional Chinese painting methods on the basis of eclectic, more enriched the artistic expression of the screen, so that the contemporary meticulous figures in the creation of female images show a diversified trend of development.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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