浅析中国工笔人物画的意象性

发布时间：2018-03-19 01:09

本文选题：中国工笔人物画　切入点：意象性　出处：《山东师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：“意象”是中国传统文化的重要美学思想，是充分体现了主体思想感情的艺术形象。中国画是一种心灵化、情感化的艺术，十分注重人的主观精神和内心感悟，因此在意象思维下的“立象尽意”、“似与不似之间”、“传神写意”、“气韵生动”就成了中国画的审美追求所在。工笔人物画源于现实，但又与实际生活之间存在着差别，它的艺术形象既不是纯客观存在的对象，也不是凭空臆造的形象，而是运用主观创造性的想象，对生活进行主观改造后的审美意象。因此工笔人物画同样内源于主观意象，同样蕴含着写意精神，其中从工笔人物画的造型、用线、用色、构图中都可以发现其作者的主观意象性。 “圣人立象以尽意”，工笔人物画精致细腻，但如果处理不当就会使整个画面过于死板、呆滞。本文通过对意象审美及其在工笔人物画中的表现，以期引起人们对工笔人物画意象性的重视。而注重工笔画的意象性可以避免其画面过于死板无趣等弊病，达到“形神兼备”“气韵生动”的目的，从而符合中国绘画的审美观。对现代工笔人物画的发展而言，因为其融入了作者的更多主观性，在造型、技法、材料上推陈出新，出现了一批源于传统而又区别于传统的优秀画家，从而为其发展开拓了更广阔的空间。对个人创作而言，在思想上紧随时代、打破传统，在方法上外师造化、目识心记，充分发挥个人主观能动性，将作品从“无我之境”转化成“有我之境”，使其充满生命力，才能达到“气韵生动”“言有尽而意无穷”的目的。
[Abstract]:"Image" is an important aesthetic thought of Chinese traditional culture and an artistic image which fully embodies the subject's thoughts and feelings. Chinese painting is a kind of spiritualized and emotional art, which attaches great importance to the subjective spirit and inner perception of human beings. Therefore, under the image thought, the idea of setting up images, "between likeness and unlikeness", "vivid brushwork" and "vivid charm" have become the aesthetic pursuit of Chinese painting. Meticulous figure painting originates from reality, but there is a difference between it and real life. Its artistic image is neither the object of pure objective existence nor the image of imagination made out of thin air, but the use of subjective and creative imagination. The aesthetic image after the subjective transformation of life. Therefore, the fine brushwork figure painting also originates from the subjective image, and also contains the spirit of freehand brushwork, among which, from the modeling of the fine brushwork figure painting, using the line, using the color, The subjective image of the author can be found in the composition. "the sage sets up the image with the best intention", the meticulous brushwork figure painting is exquisite and exquisite, but if handled improperly, it will make the whole picture too rigid and dull. This article through to the image esthetic and its performance in the fine brushwork figure painting, In order to arouse people's attention to the image of meticulous figure painting, paying attention to the imago of meticulous figure painting can avoid the disadvantages such as being too rigid and boring, so as to achieve the purpose of "having both shapes and spirits" and "vivid charm". This conforms to the aesthetic standards of Chinese painting. As far as the development of modern meticulous figure painting is concerned, because it integrates more subjectivity of the author, it brings forth new ideas in modeling, techniques and materials. A group of outstanding painters, who originated from tradition and distinguished from tradition, have opened up a wider space for their development. For personal creation, they follow the times ideologically, break the tradition, create new ideas in methods, and recognize the mind. By giving full play to individual initiative, the works can be transformed from "without self" to "without me", so as to make it full of vitality, so as to achieve the purpose of "vivid charm" and "endless meaning with all words".
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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