当代水墨人物画中线的运用

发布时间：2018-03-20 12:09

本文选题：绘画　切入点：中国水墨人物画　出处：《河北师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：中国绘画的线条随着历史长河源远流长,无论是光彩夺目的壁画,还是栩栩如生的岩画;无论是精美的帛画,还是巧夺天工的彩陶;无论是丝绸上精细的花纹,还是精心刻画的砖画……那些流利的线条,都给人们留下了难以磨灭的审美感受。经过长期的实践,中国水墨人物画中的线条放射出了最耀眼的光芒。20世纪的艺术家们对中国水墨人物画线的探索,不仅继承着中国绘画传统的语言形式,而且把西方艺术思想的精髓融入到“线”语言形式当中。就如康定斯基所说“一个三角形的尖角和一个圆圈的接触所产生的效果,不亚于米开朗基罗画上的上帝手指接触亚当的手指”。不可否认笔墨当随时代,在这个多元化的趋势之下,我们要立足于本民族的思想去汲取西方艺术思想的精华和当下美好的生活理念,以促进中国水墨人物画中线的发展和变革。
[Abstract]:The lines of Chinese painting go back to ancient times, whether they are brilliant murals or lifelike rock paintings; whether they are fine silk paintings or exquisite painted pottery; whether they are fine patterns on silk, Or carefully painted brick paintings. Those fluent lines, have left people with indelible aesthetic feelings. After a long period of practice, The lines in Chinese ink figure painting radiate the most dazzling rays. The artists of the 20th century explored the line of Chinese ink figure painting, not only inheriting the traditional language form of Chinese painting, And incorporate the essence of Western artistic thought into the "line" language form. As Kandinsky put it, "the effect of the contact between the sharp corners of a triangle and a circle, No less than Michelangelo's touch of Adam's fingers with the fingers of God. "it is undeniable that with the times, under this trend of pluralism, We should base ourselves on the thought of our nation to absorb the essence of the western artistic thought and the present beautiful life idea in order to promote the development and reform of the middle line of Chinese ink figure painting.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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