论马格利特绘画怪诞特色

发布时间：2018-03-21 22:22

本文选题：雷内·马格利特　切入点：怪诞画　出处：《扬州大学》2013年硕士论文　论文类型：学位论文

【摘要】：雷内·马格利特(Rene Magritte,1898.11—1967.8)超现实主义画派重要代表人物之一。超现实主义运动领导人布勒东曾高度评价其为“最好地诠释了超现实主义精神的画家”。马格利特将日常所见物一反常态的描绘,既滑稽又丑恶,既可笑又可怕,怪诞是马格利特艺术最重要的美学特色。这位超现实主义大师同时也是一位独树一帜的怪诞画大师。较之博斯、勃鲁盖尔、达利、恩斯特等大师的怪诞画,马格利特怪诞画独具个性,将日常所见物两两对接,这种反常化的构成赋予司空见惯的事物新的面貌,并具备了神秘感。博斯、达利、勃鲁盖尔等大师的怪诞画,画面人物表情丰富,肢体动作往往夸张外露,恐怖感明目张胆的侵蚀着观众。而马格利特怪诞画中不仅人物面部表情、肢体动作缺失,其画面营造的恐怖感也带有诗意的优雅,题材简洁、主题突出,作品被赋予的深刻内涵更是引人深思。画家神奇的想象力充斥在画面的每一处,散发着智慧的光芒。其怪诞画独特的表现形式深刻地影响着传媒艺术、大众艺术、时尚艺术,更加成为了安迪·沃霍尔、安东尼·布朗等波普艺术家、插画家以及设计大师的创作灵感来源。对当代的读者和观众,尤其是那些和前卫艺术、网络媒体关系密切的年轻人而言,马格利特绘画中的奇思妙想和反常化构成早已屡见不鲜,见多了自然也就不觉得怪。虽然马格利特在熟知度上不如达利和毕加索,但事实上,学习、模仿马格利特的人不胜枚举,比起达利和毕加索的学习者更是有过之而无不及。观众见多了复制模仿马格利特的怪诞作品,自然不觉得马格利特原创作品的神奇,可是一旦将马格利特的绘画置回其时间原位,画中的怪诞特色便最大化的显露出来。本文以怪诞美学理论为指导,运用图像学、心理学等研究方法对马格利特怪诞画的特色进行解读,不仅使读者看到马格利特独具特色的怪诞风格,通过画家匠心独运的描绘,揭示这位画家天才想象的内在本质,发现其艺术作品的精髓,为艺术作品的创作提供灵感刺激,对油画创作实践也具有一定的指导意义。
[Abstract]:Rene Magritten 1898.11-1967.8) one of the important representatives of the surrealist school. The leader of the surrealist movement, Blerton, spoke highly of him as "the painter who best interprets the surrealist spirit". An unusual depiction of what is seen, Funny and ugly, ridiculous and terrible, grotesque is the most important aesthetic feature of Magritt's art. The surrealist master is also a unique grotesque master. Compared with the grotesque paintings of masters such as Bos, Bruegel, Dali, Ernst and so on, Magritt's grotesque paintings have a unique personality, and they connect with each other what they see everyday. This anomalous composition gives a new look to things that are commonplace. And has a sense of mystery. Bos, Dali, Blougail and other masters of the grotesque paintings, the screen characters with rich expressions, body movements are often exaggerated exposed, A sense of terror is blatantly eroding the audience. In Magritt's grotesque paintings, not only are the facial expressions and body movements missing, but the horror created by the images is also poetic in elegance, concise in subject matter, and prominent in theme. The profound connotation of the work is even more thought-provoking. The artist's magical imagination fills every part of the picture, radiating a light of wisdom. The unique forms of expression of his grotesque paintings profoundly affect media art, mass art, fashion art, Andy Warhol, Anthony Brown and other pop artists, illustrator and design master inspiration. For contemporary readers and audiences, especially those young people who are close to avant-garde art and online media, the ingenuity and aberration of Magnette's paintings have long been commonplace. It's not strange to see too much of nature. Although Magritte is not as familiar as Dali and Picasso, in fact, there are so many people who learn and imitate Magritt. Compared to the learners of Dali and Picasso, the audience saw more copies of Magritt's grotesque works, and naturally did not find the magic of Magritt's original works. However, once Magritte's painting is put back in its time position, the grotesque features in the painting will be maximized. This paper, guided by the theory of grotesque aesthetics, applies the theory of graphics. Psychology and other research methods unscramble the characteristics of Magritt's grotesque paintings, which not only make readers see Magritte's unique grotesque style, but also reveal the intrinsic essence of the artist's imagination through the painters' ingenious portrayal. To find the essence of his works of art, to provide inspiration for the creation of works of art, also has certain guiding significance to the practice of oil painting creation.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

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