论徐熙艺术风格及对中国花鸟画的影响

发布时间：2018-03-21 23:09

本文选题：徐熙画派　切入点：写意花鸟画　出处：《西安美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：花鸟画发展至今，已有千余年的历史，是中国传统绘画中最重要的一个分支，唐代中国绘画理论体系的形成，给花鸟画的发展奠定了坚实的理论基础，五代时期徐熙在师法自然和体验生活的思想基础上首开了“非画之本法”的绘画“逸品”，以“野逸”花鸟画确立了隐逸绘画重水墨、造型崇尚写实丰满的花鸟画特点，他的“天水通色”的绘画技法在花鸟画技法史上有极其重要的地位。从某种意义上来讲，徐熙画派是引领着中国花鸟画发展的步伐，从中国古老的文化传统渊源中逐步走来。徐熙画派对后世中国花鸟画的发展有着深远的影响，主要表现在：一、以“外师造化、中得心源”为基础，“注重写生”成为后世共识并延续至今。二、以追求野逸精神和水墨视觉，逐步成为宋以后清野放逸的文人画主题，而被视为花鸟画创新之祖。三、徐熙画派“落墨为格”、“放笔写意”的技法和绘画风格，对元代相互融合的逸笔花鸟画产生了深远的影响。四、其中文人画的发展，奠定了明代写意花鸟画的基础。那种不墨守成规的创新精神融汇了文人思想，成熟了写意花鸟画的理论，开创和树立了绘画史上明清时代写意花鸟画的高峰。五、徐熙画派“借物比兴”、“缘物寄情”的美学意象和哲学内涵，推动了明清之际中国花鸟画对意境美的表现和追求。徐熙画派是中国花鸟画发展史上的重要的衍生画派，其独特的思想和技法风格促成了花鸟画的独特风貌。笔者尝试梳理中国传统花鸟画的表现意识和技法，在其根源上，理清其发展脉络、绘画风格和对后世的主要影响，并就当代中国花鸟画发展中对徐熙的继承和发展做进一步的剖析，由此延伸，，对现代中国花鸟画的绘画创作和发展有一定的现实意义。
[Abstract]:The development of flower-and-bird painting has a history of more than a thousand years, and it is the most important branch of Chinese traditional painting. The formation of the theoretical system of Chinese painting in Tang Dynasty has laid a solid theoretical foundation for the development of flower-and-bird painting. During the five dynasties, Xu Xi, on the basis of the thought of learning from nature and experience life, first opened the painting "easy goods" of "the law of non-painting", and established the characteristics of recluse painting with heavy ink painting and advocating realistic and plump flower-and-bird painting with "wild and easy" flower-and-bird painting. In a sense, Xu Xi's painting style led the development of Chinese flower and bird painting, and gradually came from the ancient cultural tradition of China. The painting technique of his painting "Tianshui through Color" plays an extremely important role in the history of flower-and-bird painting techniques in the history of flower-and-bird painting, in a sense, Xu Xi's painting school leads the pace of the development of Chinese flower-and-bird painting. Xu Xi's painting school has a profound influence on the development of Chinese flower-and-bird painting in later generations. First, on the basis of "the outside teacher made it, and the heart source", "pay attention to sketching" has become the consensus of later generations and has continued to this day. In pursuit of the spirit of wild life and the vision of ink and wash, it gradually became the theme of literati painting in Qing Ye Yi after Song Dynasty, and was regarded as the ancestor of the innovation of flower-and-bird painting. Third, the techniques and painting style of Xu Xi's painting school of "putting ink into style" and "putting pen into freehand brushwork". Four, the development of literati painting laid the foundation of freehand brushwork of flower and bird painting in Ming Dynasty. Mature the theory of freehand brushwork flower and bird painting, and set up the peak of freehand brushwork and bird painting in Ming and Qing dynasties. It promotes the performance and pursuit of artistic conception in Chinese flower and bird painting in Ming and Qing dynasties. Xu Xi painting school is an important derivative painting school in the history of the development of Chinese flower and bird painting, its unique thought and technique style have contributed to the unique style and features of the flower and bird painting. The author tries to sort out the performance consciousness and technique of the Chinese traditional flower and bird painting, and at its root, the author tries to sort out the performance consciousness and technique of the Chinese traditional flower and bird painting. To clarify its development context, painting style and the main impact on later generations, and to make a further analysis of the inheritance and development of Xu Xi in the development of contemporary Chinese flower and bird painting, thus extending, It has certain realistic significance to the painting creation and development of modern Chinese flower and bird painting.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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