色彩构成中的从属与所属

发布时间：2018-03-22 11:36

本文选题：色彩　切入点：构成　出处：《辽宁师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：本论文旨在研究色彩构成中的从属与所属的关系，研究绘画作品中各色块之间的相互关系及研究这种关系对绘画作品的影响。本文通过对绘画作品色彩构成的分析与研究，以及探讨西方绘画理论与哲学的关系、中国色彩美学、东西方绘画色彩关系的并构与重置等绘画理论和绘画语言，并通过其它艺术形式中的表现方式，曲调以及文字的节奏排列。进一步阐述色彩在其所属基础上由画家进行主观艺术处理的重要性和必要性，既通过对自然景物色彩的主观再处理。将画面中原本不符合画家的思想感情，不能表达主观情感的某些色块，通过画家的主观经营，调整为既符合画家思想感情又使画面更加具有形式美感的色块。另外通过对自然景物的归纳总结将画面中的色块由单调的不相互联系的色块，转变为丰富多彩而又相互联系且对画面构成关系起到一定影响的色块，使构成画面的线条，颜色，，环境，造型等这些多而复杂的形式因素在理论上更加形象和富有条理，从而使画面更加具有美感，更符合韵律美，使之达到对立统一的和谐。本文还通过对中西方绘画作品的举例论述，特别是通过对唐代画家张萱的画作《虢国夫人游春图》、南唐人物画家顾闳中的《韩熙载夜宴图》以及对中国当代画家田黎明绘画作品的分析、论述。同时对外国绘画的诸多流派，例如法国纳比派画家博纳尔，后印象派大师梵高等多幅画作的色彩语言方面进行分析与探讨。充分说明绘画中的色彩关系是有它的从属与所属因素的，在分析画作中色彩关系从属与所属的同时，深入分析出在色彩构成中的从属与所属关系的内在联系和潜在意义。本文力求对画面色块构成中的从属与所属这一现象，通过全面地总结与分析，证明它的存在性，以及这种关系对绘画创作中画面的形式感、韵律感的指导性作用，从而更好的为绘画创作奠定坚实的根基。
[Abstract]:The purpose of this thesis is to study the relationship between subordination and ownership in color composition, and to study the relationship between each color block in painting and the influence of this relationship on painting. Through the analysis and study of color composition of painting works, the paper discusses the relationship between western painting theory and philosophy, Chinese color aesthetics, the combination and reconstruction of the color relationship between East and West painting, and the painting language. And through other artistic forms of expression, tunes and the rhythm of the text arrangement. Further elaborated the color on the basis of their own subjective art by the artist to deal with the importance and necessity, That is, through the subjective reprocessing of the colors of the natural scenery, and through the subjective management of the painter, some color blocks in the picture which were not in accord with the artist's thoughts and feelings and could not express the subjective feelings, Adjust to a color block that not only conforms to the artist's thoughts and feelings but also makes the picture more formal aesthetic. In addition, by summarizing the natural scenery, the color block in the picture is changed from a monotonous, unrelated color block. Changing into a colorful and interrelated color block that has a certain impact on the composition of the picture, which makes the lines, colors, environment, modeling of the picture more vivid and coherent in theory, such as the many and complex formal factors, such as line, color, environment, shape, etc. So that the picture has a more aesthetic sense, more consistent with the rhythm of beauty, so that the unity of opposites to achieve harmony. This article also through the Chinese and Western painting examples, In particular, through the analysis of the paintings of Tang Dynasty painter Zhang Xuan, "the Spring Pictures of Mrs. Guo," and "the Night Banquet of Han Xizai," by Gu Hong, a figure painter in the Southern Tang Dynasty, as well as an analysis of the paintings of Tian Liming, a contemporary Chinese painter, At the same time many schools of foreign painting, such as France's Nabidist painter Bonnard, The color language of many paintings such as Van Gogh, the post-Impressionist, is analyzed and discussed. It is fully explained that the color relationship in painting has its subordinate and subordinate factors. The inner relation and potential significance of the relationship between subordination and ownership in color composition are analyzed in depth. This paper tries to summarize and analyze the phenomenon of subordination and ownership in the composition of color blocks, and prove its existence, and the guiding effect of this relationship on the sense of form and rhythm in painting. So as to lay a solid foundation for painting creation.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J206.3

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