胡明哲岩彩绘画的写意性研究

发布时间：2018-03-22 11:54

本文选题：胡明哲　切入点：岩彩绘画　出处：《华中师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：“岩彩”从“被延展了的传统矿物色”而由得,这种从材质角度命名,看似新兴的画种,实则统一于传统中国画的宗系之中,与传统中国画是一脉相承而又个体特色鲜明的。岩彩画因其独特的材质美感与丰富的色质表达,而具有极高的审美价值,为中国工笔画带来了新的思考方向和可能性。中国当代画家胡明哲先生对岩彩的运用,洞开了其绘画艺术的崭新视野,拓展了学术界对于岩彩材料的认识,其独到的岩彩画艺术魅力与其崇高的学术品格,受到学术界的广泛关注和肯定。当代语境下,岩彩画的意义在于打破了传统中国画旧有的框架,拓展了材料观念,创造出全新的视觉审美空间。然,从属于东方美学的岩彩绘画艺术,其作品的写意性却很少被学者提及。殊不知,以各种材质尝试直接进行表意的“材质语言表述”方式,正悄然为一种新的艺术语言方式。本文欲以胡明哲的岩彩绘画为例,探讨其作品在艺术观念之上和材料先行条件下的写意性。胡明哲先生原是传统工笔画家,讲究用线,笔法和笔调,通过对岩彩不断地探索与研究,经历了艺术思想由“自我”到“无我”到“非我”的蜕变,形成了以材料观照自然邃远、博大的“微尘”宇宙观,将对材料的认识推进到新的高度。同时,作为女性艺术家,她对媒材赋予的情感耐人寻味,受传统美学观念的影响,她的岩彩作品空灵,玄妙,写意气息浓烈又具有东方美。本文将通过对胡明哲岩彩绘画艺术轨迹的梳理,解读其绘画作品在当代语境下的写意性,以及材料的独特审美性。最后引出胡明哲的岩彩绘画艺术遁入佳境,在其宇宙观的引导下,步入纯材料、观念的艺术。
[Abstract]:The "rock color" is derived from the "extended traditional mineral color", which is named from the point of view of material and looks like a new kind of painting. In fact, it is unified in the traditional Chinese painting system. Rock color painting has a high aesthetic value because of its unique aesthetic sense of material and rich color expression, which brings new thinking direction and possibility for Chinese fine brush painting. The use of rock color by Mr. Hu Mingzhe, a contemporary Chinese painter, has opened up a new field of vision of his painting art, expanded the academic circle's understanding of rock color materials, its unique artistic charm and lofty academic character. By academic circles wide attention and affirmation. In the contemporary context, the significance of rock color painting lies in breaking the old frame of traditional Chinese painting, expanding the concept of materials and creating a new visual aesthetic space. But the freehand brushwork of his works is seldom mentioned by scholars. However, it is unknown that the "material language expression", which attempts to express the material language directly with various materials, is quietly becoming a new artistic language way. Taking Hu Mingzhe's rock painting as an example, this paper discusses the freehand brushwork of his works on the basis of artistic concept and material first. Mr. Hu Mingzhe was originally a traditional painters of fine brushwork, paying attention to the use of lines, strokes and tone of writing. Through the continuous exploration and research of rock color, it has experienced the transformation of artistic thought from "self" to "no self" to "non-self", and has formed a world view of "micro-dust", which takes a material view of nature far and wide. At the same time, as a female artist, her feelings for media are intriguing, influenced by traditional aesthetic concepts, her rock color works are empty and mysterious. Freehand brushwork has strong flavor and Oriental beauty. This paper will analyze the freehand brushwork of Hu Mingzhe's paintings in the contemporary context by combing the artistic track of Hu Mingzhe's painted paintings. Finally, Hu Mingzhe's rock painting art escapes into the good state, and under the guidance of his cosmology, he steps into the art of pure material and concept.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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