东北水彩画语言特色研究

发布时间：2018-03-23 19:46

本文选题：水彩画　切入点：北方地区　出处：《东北师范大学》2013年硕士论文

【摘要】：有人曾经这样讲过：“没有历史传统的文化是难以置信的，没有历史文明的传统也是不能生存的。”水彩画在中国当代的研究也正是这样的，如果没有多个地域文明的卓越表现和集合，就不可能有全民族，全国家社会文化意识形态的体现。随着二十一世纪的到来，今天的文意识形态已经体现出多元化，地域性，民族性的差别正在逐渐缩小，，以及人们对周围环境和艺术观念发生的巨大变迁，对当代水彩画的探索也随之到来。那么无论是特定文化背景还是当下地域环境，都应当进行发掘与探索，最终才可能形成具有独特个性品貌的绘画作品。水彩画不但是一个很古老的画种，也是一个表现力很现代的画种，要在飞速发展的今天探索一套传承和创新的领域，首先要经过对地域性，文化性，民族性的认知，创造新的绘画语言和水彩特色风格。在水彩画艺术语言的表现上，当地环境，当地文化对画家的艺术感染，还是自然生态，或是传统民族文化，所引导的绘画创作理念，确实令人思考。所以，画家要思考在意识形态的想象中转化，创造出水彩画淋漓尽致的画面效果，而且要不断创新，敢于尝试放吸收传统，创造出新的水彩画的表现形式，慢慢与老式水彩画的相对单一的绘画语言拉开距离。我国的水彩画艺术，自明朝、清朝从欧洲传入我国至今，经过几代人的发展创造，历经了萌芽时期—逐步发展时期—繁荣时期的发展过程，现今，风格多样的多元化趋势已经逐步形成。而反应北方地区特点的水彩绘画是很有自己独到之处的。本篇文章在叙述中国北方水彩画的历程，背景，地域，民族对水彩创作的影响，让读者对我国北方水彩的发展历史与地域文化有个完整的了解，通过对北方水彩画的特点了解后，进而分析北方水彩绘画的现状，揭示目前我国北方水彩画语言特色和特色多元化产生的起因。
[Abstract]:Someone once said, "Culture without historical traditions is incredible, and traditions without historical civilization cannot survive." the same is true of contemporary studies of watercolor paintings in China. Without the remarkable performance and collection of multiple regional civilizations, there can be no embodiment of the whole nation and the whole country's social and cultural ideology. With the arrival of the 21 century, today's literary ideology has manifested pluralism and regionality. The difference of nationality is gradually narrowing, and people have great changes to the surrounding environment and artistic concept, and the exploration of contemporary watercolor painting also comes along. So whether it is the specific cultural background or the current regional environment, Should be explored and explored to form a unique personality of painting. Watercolor painting is not only an ancient painting, but also a modern one with expressive power. In order to explore a set of inheritance and innovation fields in the rapid development of today, we must first of all understand the regional, cultural and national characteristics. Create new painting language and watercolor characteristic style. In the performance of watercolor art language, the local environment, local culture to the artist's art infection, or natural ecology, or traditional national culture, led by the painting creation idea, So, the artist has to think about the transformation of the ideology, create the vivid picture effect of the watercolor painting, and innovate constantly, dare to try to absorb the tradition and create the new form of watercolor painting. Slowly distancing itself from the relatively single painting language of old-fashioned watercolor painting. The art of watercolor in China, introduced from Europe from the Ming Dynasty to the Qing Dynasty, has been created through the development of several generations. After a period of budding, a period of gradual development, a period of prosperity, now, The diversified trend of style has been gradually formed. The watercolor painting, which reflects the characteristics of the northern region, has its own unique characteristics. This article describes the course, background, region and ethnic influence of watercolor painting in the north of China. Let readers have a complete understanding of the development history and regional culture of watercolor in the north of China. After understanding the characteristics of watercolor painting in the north, we can then analyze the current situation of watercolor painting in the north. This paper reveals the causes of the diversity of language features and features of watercolor paintings in northern China.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215

【参考文献】