传神论的起源

发布时间：2018-03-23 21:52

本文选题：传神论　切入点：才性　出处：《中国美术学院》2013年博士论文

【摘要】：中国绘画独特的审美范式是在中国文化以道德为终极关怀的思想模式下孕育的。顾恺之的传神论在后世成为中国画审美的一个重要标准，开出了与西方“求真”标准完全不同的审美范式。本文的写作尝试把中国思想的视角加入中国美术史研究中，来探索魏晋时期传神论的起源。通过对顾恺之生活的时代思想以及对顾恺之个人经历和绘画理论的深入考察，发现传神论起源于魏晋的原因与道德追求如何影响审美导致的从汉到魏晋的审美转变，以及玄佛合流的背景有着千丝万缕的联系。对“神”的推崇首先是因为才性论的影响，使“神”成为道德追求对象，也成为人物画表现的对象。而“形神之辩”的影响使人们产生形神二元论的想法，“神”和“形”的分离，在思想史上意味着魏晋玄学对佛学的亲和，而在美术史中则是“传神”标准的最终形成。顾恺之明确的把形神分开，并且认为神主形次，神起决定作用。在晋末，，佛学思潮日益脱离玄学独立发展，佛教基本义理得到重视。在运用历史语义学方法分析顾恺之画论时，发现顾恺之的一些重要观点与佛学的基本义理存在一定程度的印证关系，尤其与小乘佛学有关。本文最后还涉及传神论与气韵生动的关系。
[Abstract]:The unique aesthetic paradigm of Chinese painting was conceived under the mode of Chinese culture's ultimate concern for morality. Gu Kaizhi's deictic theory has become an important standard of Chinese painting aesthetics in later generations. This paper tries to add the perspective of Chinese thought to the study of Chinese art history. To explore the origin of the deictic theory in the Wei and Jin dynasties. Through an in-depth investigation of Gu Kaizhi's life and his personal experience and painting theory, It is found that the reason of evangelism originated in the Wei and Jin dynasties and how the moral pursuit influenced the aesthetic transformation from Han to Wei and Jin dynasties, and the background of the confluence of the metaphysical Buddha was inextricably linked. The worship of "God" was first influenced by the theory of talent and nature. "God" becomes the object of moral pursuit as well as the expression of figure painting, and the influence of "debate of form and spirit" makes people have the idea of dualism of form and spirit, the separation of "God" and "form". In the history of thought, it means the affinity of metaphysics to Buddhism in Wei and Jin dynasties, but in art history, it is the final formation of "vivid" standard. Gu Kaizhi clearly separated form and spirit, and thought that God played a decisive role. The trend of thought of Buddhism is increasingly independent of metaphysics, and the basic principles of Buddhism have been attached importance to. In analyzing Gu Kaizhi's theory of painting with the method of historical semantics, it is found that some important viewpoints of Gu Kaizhi have a certain degree of corroboration with the basic justice of Buddhism. This paper also deals with the relationship between evangelism and charm.
【学位授予单位】：中国美术学院
【学位级别】：博士
【学位授予年份】：2013
【分类号】：J209.2

【参考文献】