“龙”元素在漆画中的应用研究

发布时间：2018-03-24 15:24

本文选题：龙元素　切入点：漆画　出处：《陕西师范大学》2013年硕士论文

【摘要】：本文主要从“漆画”这个角度,整合龙元素在视觉传达中的表现,以“龙”元素的表现样貌作为分析的着重点。试图勾勒出一幅中国风浓郁的连续而丰富的长卷,从而深入到不同类型的创作中去。希望一方面是对“龙”元素的连贯的展示,以期获得对漆画研究的新视角；另一方面,也是对民族性这个主题可能出现的问题找出一种突破。在中国风越来越受到重视的今天,“龙”元素在众多的图形符号中,是最能够代表中国精神及传统文化的。它来源于生活却高于生活,通过对龙元素的变换和演化,生成其他烙印上中国风特色的元素,用不同的表现方式呈现在作品中,使画面带有浓郁的中国风的同时却又不失现代的感觉。最终创作出富有更加深层内涵且极具传统中国特色的作品,希望能够弘扬中国民族光辉灿烂的文化,用深度的思考和探索来坚守着民族信念和原创精神。在漆画创作中,笔者希望能将“龙”元素与其他中国民族元素很好的结合。对中国传统民族元素的借鉴与使用,这一点在艺术创作方向上是很重要的。中国历史源远流长,留给我们的灵感是富足的,比如剪纸样式、皮影艺术、瓷器上的图形、衣物上的纹饰等等。这些图形都可以进行变换、打散、重构从而形成新的语言,然后再融入到漆画创作中。本文通过归纳、比较、举例等研究方法对课题进行展开与论述。在结构上以逻辑关系进行展开论述,首先对创作的意义方面进行论述,然后对其运用方法手段为重点进行分析,这是从大方向上整体把握漆画创作。在龙元素的运用方法,比如直接运用、去繁就简等运用手法,使读者能更清晰的认识中国龙的同时,也对新风格有了更加直观深入的了解。对创作流程的分析与创作过程的描述进行了详尽的说明,以自身所做的作品为实例,更加坚实的巩固了这一论点。论文的创新点是：目前对龙元素和漆画创作方法这两个方面的研究已经比较成熟了,但对两者之间相互融合这一方面的探索研究还比较贫乏,只是有许多人运用到实际操作当中,却没有上升到理论的高度,因此本文的论点属于新的领域范围。
[Abstract]:From the angle of "lacquer painting", this paper integrates the performance of dragon elements in visual communication, taking the expression of "dragon" elements as the focus of analysis, and tries to outline a long, continuous and rich scroll with strong Chinese wind. It is hoped that, on the one hand, a coherent display of the elements of "dragon" is to obtain a new angle of view for the study of lacquer painting; on the other hand, it is also a breakthrough to the problem that may arise in the subject of nationality. Today, when the Chinese style is being paid more and more attention to, the "dragon" element is the most representative of Chinese spirit and traditional culture among many graphic symbols. It comes from life but is higher than life, and through the transformation and evolution of dragon elements, Creating other elements with Chinese characteristics that are imprinted on it, and presenting them in different ways in their works, So that the picture has a strong Chinese style at the same time without losing the feeling of modernity. Finally, he created works with deeper connotations and extremely traditional Chinese characteristics, hoping to carry forward the splendid culture of the Chinese nation. With deep thinking and exploration to adhere to national beliefs and original spirit. In the creation of lacquer painting, the author hopes to combine the elements of "dragon" with other elements of Chinese nationality, which is very important in the direction of artistic creation. The inspiration for us is abundant, such as paper-cut, shadow art, porcelain graphics, clothing ornaments, and so on. These figures can be transformed, scattered, reconstructed to form a new language. Then into the lacquer painting creation. In this paper, through induction, comparison, examples and other research methods to expand and discuss the subject. In the structure of the logical relationship to expand the discussion, first of all, the significance of the creation of the discussion, Then it analyzes its application methods and means, which is to master the overall creation of lacquer painting from the general direction. The methods used in the use of dragon elements, such as direct use, simple and simple, etc. So that readers can understand the Chinese dragon more clearly, but also have a more intuitive and in-depth understanding of the new style. The analysis of the creation process and the description of the creation process are described in detail, taking their own works as an example. This argument has been reinforced more firmly. The innovation of this paper is: the research on the elements of dragon and the method of lacquer painting is mature, but the research on the fusion of the two is still relatively poor. However, many people have applied it to practice, but not to the level of theory, so the argument in this paper belongs to a new domain.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213.9

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