倪瓒山水画中的“简逸”格调对山水创作实践的启示

发布时间：2018-03-24 18:42

本文选题：倪瓒　切入点：简逸　出处：《云南大学》2013年硕士论文

【摘要】：在美术史悠久的历史长河中,元四家的绘画艺术对中国绘画的发展起到了不可忽视的作用,其中元四家之一的倪瓒的绘画艺术更是影响了几代人。倪瓒为中国的绘画艺术创造了独特的文化形式,是诗与画的结合体,他的“逸笔草草不求形似,聊以自娱”足以代表了文人的心声以及文人所追求的精神境界,倪瓒的艺术让人们看到了绘画的神韵和人的高逸之情完美的结合,这种结合在中国山水绘画史上不仅留下了精彩的一笔,而且是对当代山水画创作起到一个启示与参照的作用。本文是在前人研究的基础上,结合倪瓒绘画“简逸”的高格调,寻找当代人应该具备的独立人格和精神自由,在创作过程中探索山水创作中的笔墨技法,逐渐形成自己的绘画风格进而画出具有高格致的山水画作品。
[Abstract]:In the long history of fine arts, the painting art of the Yuan Dynasty plays an important role in the development of Chinese painting. Among them, the painting art of Ni Zan, one of the four families of the Yuan Dynasty, has even affected several generations. Ni Zan created a unique cultural form for Chinese painting art, which is a combination of poetry and painting. Talking and amusing "is enough to represent the aspirations of the literati and the spiritual realm pursued by the literati. Ni Zan's art has made people see the perfect combination of the charm of painting and the feeling of high ease." This combination not only left a splendid stroke in the history of Chinese landscape painting, but also served as an inspiration and reference for the creation of contemporary landscape painting. In order to find the independent personality and spiritual freedom that the contemporary people should possess, to explore the brushwork and ink techniques in the landscape creation in the creative process, to gradually form their own painting style and then to draw the landscape painting works with high style.
【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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